WANDER DARKLY is the antidote to the generic rom-com. Set in the subjective viewpoint of a woman who is convinced that she is dead, it explores a relationship gone wrong using the unencumbered honesty of retrospection. The woman is Adrienne (Sienna Miller), who is always quick to point out that the father of her infant,… Read More »
TWENTY TWENTY-FOUR
You could, if so inclined, sit back and enjoy Richard Mundy’s counterintuitively dynamic film, TWENTY TWENTY- FOUR, merely as an engrossing study of a loner going slowly mad in isolation. As the difference between reality and madness builds to a fever pitch, the mystery of what exactly is happening in Roy’s underground bunker matches the… Read More »
Perry Blackshear, MacLeod Andrews & Evan Dumouchel Insist that THEY LOOK LIKE PEOPLE
THEY LOOK LIKE PEOPLE is a first-rate existential horror film, as well as a psychological thriller. I got the same vibe watching it that I had gotten watching PI and BRICK, the maiden efforts of Darren Aronofsky and Rian Johnson respectively. Writer/director Perry Blackshear understands more than just how to create evocative, even sumptuous, visuals, he knows… Read More »
Brit Marling Considers ANOTHER EARTH
ANOTHER EARTH is a film that sets the synapses firing with its consideration of identity, reality, and redemption as it posits a reality where the sky is suddenly filled with a duplicate of our home planet. When I spoke with co-writer and co-star Brit Marling on July 14, 2011, the conversation reflected that as it… Read More »
Armistead Maupin & Patrick Stettner Pay Attention to THE NIGHT LISTENER
The story on which Armistead Maupin based his novel and now film THE NIGHT LISTENER proves the old axiom that truth is stranger than fiction. When I spoke to him and to the director of the film, Patrick Stettner, on July 26, 2006, I was curious what conclusions they had drawn about the human capacity to… Read More »
Andrew Niccol on Creating SIMONE
In S1M0NE, Andrew Niccol (GATTACA, THE TRUMAN SHOW) presents an intriguing and, for SAG members, a somewhat disturbing glimpse of what the future of entertainment might be. In it, a computer-generated actress becomes a pop-culture sensation for a public that doesn’t know that she’s a collection of pixels. What that says about reality and perception is something worth… Read More »