Aardman Animation. For hordes of animation fans, you don’t need to say anything else about a film in order to get them to pack a theater. I, however, will add that the latest from that storied studio, the SHAUN THE SHEEP MOVIE, is everything that not just a great Aardman film should be, but also… Read More »
DOPE is Genius
DOPE is a provocative blend of gritty realism, gentle compassion, and piercing social satire that is so unlike anything that has come before that its maker, Rick Famuyima, may have just invented a new cinematic sub-genre in the spirit, and brilliance, of the Coen Brothers’ FARGO. Boldly venturing into issues of identity, class, gender, sexuality,… Read More »
Stephen Winter Re-discovers JASON AND SHIRLEY
Click here to listen to the interview. When Shirley Clarke made PORTRAIT OF JASON, she was doing more than exercising her creative impulse. The Oscar™-winning director had been all but shut out of Hollywood, and returned to New York to pursue a career as an indie filmmaker rather than deal with being marginalized by the… Read More »
A Pale Shadow of A POLTERGEIST
The original POLTERGEIST was said to have a curse attached to it. Perhaps because the producers opted to use real skeletons rather than models because they were cheaper. Perhaps because taunting the supernatural might tick off the wrong non-corporal entity. Aside from the deaths associated with members of the original cast and crew, certainly the… Read More »
IT FOLLOWS and It’s Relentless
IT FOLLOWS slyly juxtaposes the familiar with the alien as it tells its exceptionally effective tale of terror. The clichéd tropes of low-budget horror — the remote lake house, the eager and nubile kids having sex in the back seat of a car, a terrified girl in high heels and lingerie running in terror down… Read More »
DANNY COLLINS Overcomes
Narratively, DANNY COLLINS commits more than a few faux pas, but there is such warmth to the melancholy of a life discovered to have been wasted, that the winces they produce are worth enduring. Writer/director Dan Fogelman (CRAZY, STUPID, LOVE) may be too quick the play the melodrama card, but I prefer to focus on… Read More »
INSURGENT Keeps the DIVERGENT Franchise Puffing Along
The advantage of seeing outstanding actors in a middling film is that you can appreciate just how good they are on a whole new level. And INSURGENT is certainly a middling film, though that is an improvement on the last installment in this franchise, DIVERGENT. With a new director, Robert Schwentke, bringing Veronica Roth’s YA… Read More »
GOING CLEAR: SCIENTOLOGY AND THE PRISON OF BELIEF
Alex Gibney has proven himself an able and engaging documentarian, bringing to light with films such as TAXI TO THE DARK SIDE, ENRON: THE SMARTEST GUYS IN THE ROOM, and most recently THE ARMSTRONG LIE, the hubris, self-deception, and other foibles of human nature that allow people to commit crimes without ever quite admitting to… Read More »
FOCUS Needs Some Adjustment
Glenn Ficarra and John Renqua have made some films that are close to my heart. BAD SANTA, I LOVE YOU PHILLIP MORRIS, CRAZY STUPID LOVE are movies that are funny and smart without resorting to schmaltz. Instead, they are subversive satires about human nature, and what happens when wide-eyed innocence meets conniving manipulator. The same… Read More »
David Cross Takes the HITS
David Cross was off coffee because of a stomach ailment when I talked to him on February 5, 2015 just before his film, HITS, kicked of SFIndieFest. Opting for tea, and overcoming his distaste for the bergamot in his Earl Gray, he was a lively conversationalist as we discussed his maiden effort writing and directing a feature film.… Read More »
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