There is an air of Celtic melancholy running through the, ahem, deadpan humor of THE BOYS FROM COUNTY HELL. That touch elevates the, further ahem, stakes in this horror comedy that takes a few swipes at fraught family relationships, a sinking economy, and Bram Stoker’s relevance when a real vampire resurfaces. The supernatural is almost… Read More »
MADE IN ITALY
A story well told is always worth our attention, and thus it is with MADE IN ITALY, a heart-warming tale of coming to terms with the past in order to face a future without the burden of unresolved grief and lingering complacency. Set for the most part in the spectacular Tuscan countryside, its pacing and… Read More »
HONEY BOY — Alma Har’el Interview
Click here to listen to the interview. The first thing I wanted to talk to Har’el when we spoke on October 10, 2019, was how tender the film. This despite portraying the harrowing, real-life childhood and adult struggles with anger and addiction of the film’s writer and co-star, Shia LeBeouf. Entwining parallel stories of LeBeouf’s… Read More »
LOUDER THAN BOMBS
LOUDER THAN BOMBS begins with a perfect picture of family love. Jonah (Jesse Eisenberg) is marveling at his newborn as his wife Amy, (Megan Ketch) looks on beaming. Jonah is beaming, too, and he is aghast that he has forgotten to bring his wife the food she had requested when she discovered that the hospital tray… Read More »
Wade Gasque and Mark Strano are TIGER ORANGE
Wade Gasque and Mark Strano are partners in the film business and in life. When I spoke to them by phone on June 2, 2015, the first question I had was about the sort of trust they have in each other when working on a film that is so personal to Strano. We went on… Read More »
DANNY COLLINS Overcomes
Narratively, DANNY COLLINS commits more than a few faux pas, but there is such warmth to the melancholy of a life discovered to have been wasted, that the winces they produce are worth enduring. Writer/director Dan Fogelman (CRAZY, STUPID, LOVE) may be too quick the play the melodrama card, but I prefer to focus on… Read More »
RUN ALL NIGHT with Liam Neeson
There is a reason that there is a rigid formula for Liam Neeson action films: it has a tendency to hit more than it misses. In RUN ALL NIGHT, the tropes are all present and accounted for with the variations that are permitted within the formula’s rules. Neeson is the everyman with, you will pardon… Read More »
SANCTUM
James Cameron neither wrote nor directed SANCTUM, but his fingerprints as the executive producer of same are all over it. Visually, it’s an exhilarating experience. As for the storytelling, the word lugubrious comes to mind. The writing is stiff and ridden with clichés, with cheese-ish motifs overwhelmed by swelling, overwrought music cues that forge straight… Read More »
THE COLD LIGHT OF DAY
There is one overwhelming question about THE COLD LIGHT OF DAY. Why isn’t this a better flick? It certainly has all the right elements. The cast, led by Henry Cavill and Sigourney Weaver, are solidly committed. The story is the kind that Hitchcock loved. An innocent man plunged into a life-and-death situation not of his… Read More »
TOGETHER (HAN NI ZAI YIKI)
What does music mean? Its an interesting question and one posed with grace and not a little irony by Chen Kaige in TOGETHER. Using the backdrop of the uneasy cultural shifts in contemporary China and the ever mysterious dynamics of the father-son relationship, he has brought forth film that is deeply affecting and rapturously beautiful.… Read More »