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Kent Jones on HITCHCOCK/TRUFFAUT

December 8, 2015 By Leave a Comment

Kent Jones on HITCHCOCK/TRUFFAUT

When Francois Truffaut sat down with Alfred Hitchcock in 1962, the former was in his early 30s with few films to his name, the latter was in his early 60s, and was the undisputed master of suspense. Hitchcock was not, however, given proper respect as an artist, at least not as far as Truffaut, and… Read More »

Tagged With: Alfred Hitchcock, Andrew Sarris, Arnaud Desplechin, camera angles, cinema, film criticism, film history, Francois Truffaut, Helen Scott, Kent Jones, Lew Wasserman, Martin Scorsese, Richard Linklater, suspense, Universal Studio, VERTIGO

Mark Burton and Richard Starzak — Puns, Cryptomnesia, and Dreams with SHAUN THE SHEEP MOVIE

August 6, 2015 By 1 Comment

Mark Burton and Richard Starzak — Puns, Cryptomnesia, and Dreams with SHAUN THE SHEEP MOVIE

Aardman Animation.  For hordes of animation fans, you don’t need to say anything else about a film in order to get them to pack a theater. I, however, will add that the latest from that storied studio, the SHAUN THE SHEEP MOVIE, is everything that not just a great Aardman film should be, but also… Read More »

Tagged With: A Close Shave, Aardman Animation, animation, animators, cinema, Cryptomnesia, film, Mark Burton, movie, Nick Park, Peter Lord, plasticine, puns, puppet runner, Richard Starzak, Shaun the Sheep, sheep, silent film, stop-frame animation, stop-motion, Tom and Jerry cartoons, Vladimir Putin, Wallace and Gromit

DOPE is Genius

July 3, 2015 By 2 Comments

DOPE is Genius

DOPE is a provocative blend of gritty realism, gentle compassion, and piercing social satire that is so unlike anything that has come before that its maker, Rick Famuyima, may have just invented a new cinematic sub-genre in the spirit, and brilliance, of the Coen Brothers’ FARGO.  Boldly venturing into issues of identity, class, gender, sexuality,… Read More »

Tagged With: cinema, class issues, DOPE, film, geek culture, gender issue, hip-hop, movie, narrative, race relations, Rick Famuyima, social satire, The Bottoms

Stephen Winter Re-discovers JASON AND SHIRLEY

June 27, 2015 By 1 Comment

Stephen Winter Re-discovers JASON AND SHIRLEY

Click here to listen to the interview. When Shirley Clarke made PORTRAIT OF JASON, she was doing more than exercising her creative impulse. The Oscar™-winning director had been all but shut out of Hollywood, and returned to New York to pursue a career as an indie filmmaker rather than deal with being marginalized by the… Read More »

Tagged With: 1960s, African-American, Alan Ginsberg, Alfred Hitchcock, Anthony Perkins, Canada Lee, Carl Lee, cinema, civil rights, director, film, gay, Gus Van Sant, homophobia, Howl, interview, Jack Waters, James Baldwin, James Tobak, Jason Holliday, LGBT, Marion Crane, Miles Davis, MY OWN PRIVATE IDAHO, narrative, New York City, Orson Welles, PARIS IS BURNING, PORTRAIT OF JASON, PSYCHO, racism, River Phoenix, ruthlessness, Sarah Shulman, sexism, Shirley Clark, Stephen Winter, THE TRIAL

Maya Forbes’ Pet INFINITELY POLAR BEAR

June 19, 2015 By 1 Comment

Maya Forbes’ Pet INFINITELY POLAR BEAR

Click here to listen to the interview. Maya Forbes has been a screenwriter for years, with co-credits for MONSTERS AND ALIENS and DIARY OF A WIMPY KID to her credit. She was also a writer and story editor on HBO’s groundbreaking THE LARRY SANDERS SHOW. For her directorial debut, though, she chose a script she… Read More »

Tagged With: autobiography, based on a true story, bi-racia;, Bipolar Disorder, cinema, father-daughter, hypomania, Imogene Wolodarsky, Mark Ruffalo, Maya Forbes, mental illness, movie, narrative, ONE FLEW OVER THE CUCKOO’S NEST, race, Zoe Saldana

Serge Bromberg of Lobster Films talks paternal influences, cocktail-swilling elephants, and when a lobster is not a lobster.

May 26, 2015 By 1 Comment

Serge Bromberg of Lobster Films talks paternal influences, cocktail-swilling elephants, and when a lobster is not a lobster.

Serge Bromberg, courtesy of the company he founded, Lobster Films, has been discovering and restoring films from the silent era through the 1960s for 25 years. The excuse for myinterview (I’ve wanted to talk to him for years) was his imminent appearance at the 20th anniversary of the San Francisco Silent Film Festival, which had… Read More »

Tagged With: 1920s Paris, Buster Keaton, Charley Bowers, cinema, cinema history, film archivist, film historian, film preservation, film restoration, French Surrealists, Lobster Films, San Francisco Silent Film Festival, Serge Bromberg, silent film

A Pale Shadow of A POLTERGEIST

May 22, 2015 By Leave a Comment

A Pale Shadow of A POLTERGEIST

The original POLTERGEIST was said to have a curse attached to it.  Perhaps because the producers opted to use real skeletons rather than models because they were cheaper. Perhaps because taunting the supernatural might tick off the wrong non-corporal entity. Aside from the deaths associated with members of the original cast and crew, certainly the… Read More »

Tagged With: cinema, film, ghosts, haunting, horror, Jared Harris, narrative, POLTERGEIST, remake, Rosemary DeWitt, Sam Rockwell

MAD MAX: FURY ROAD

May 13, 2015 By Leave a Comment

MAD MAX: FURY ROAD

George Miller first sent Mad Max blazing across the sere post-apocalyptic landscape in 1979 and thence onto cinematic legend. Sequels followed. Mel Gibson in the eponymous role rose to international fame and, eventually, Miller moved on to different sorts of classics with BABE and HAPPY FEET. Now, thirty years and more later, he is revisiting… Read More »

Tagged With: Charlize Theron, cinema, dystopian future, George Miller, Hugh Keays-Byrne, MAD MAX: FURY ROAD, movie, narrative, Nicholas Hoult, patriarchy, post-apocalyptic, reboot, Sci-fi, Toecutter, Tom Hardy

IT FOLLOWS and It’s Relentless

March 27, 2015 By Leave a Comment

IT FOLLOWS and It’s Relentless

IT FOLLOWS slyly juxtaposes the familiar with the alien as it tells its exceptionally effective tale of terror. The clichéd tropes of low-budget horror — the remote lake house, the eager and nubile kids having sex in the back seat of a car, a terrified girl in high heels and lingerie running in terror down… Read More »

Tagged With: cinema, curse, film, haunting, horror, movie, narrative, sexually transmitted curse

INSURGENT Keeps the DIVERGENT Franchise Puffing Along

March 20, 2015 By Leave a Comment

INSURGENT Keeps the DIVERGENT Franchise Puffing Along

The advantage of seeing outstanding actors in a middling film is that you can appreciate just how good they are on a whole new level.  And INSURGENT is certainly a middling film, though that is an improvement on the last installment in this franchise, DIVERGENT. With a new director, Robert Schwentke, bringing Veronica Roth’s YA… Read More »

Tagged With: Ashley Judd, book to screen, Chicago, cinema, DIVERGENT, dystopian future, factions, fantasy, film, INSURGENT, Kate Winslet, Miles Teller, movie, narrative, Octavia Spencer, Robert Schwentke, Sci-fi, Shailene Woodley, THeo James, Tony Goldwyn, Veronica Roth., young adult and tagged Ansel Elgort

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