And so we discover with TERMINATOR: DARK FATE that time is not an endless loop where events repeat zoetrope fashion. Rather it is a curly-cue, not unlike a fusilli. So it is that in this version of the saga, the apocalypse that was/will be Skynet never happened, and John Connor is a name unknown in… Read More »
HELLBOY
There are many ways for a film to go wrong, and while HELLBOY may not have explored all of them, it has certainly come very close. Dialogue that is not nearly as clever as it thinks it is, editing that teeters between pedestrian and laughable, and a story that is merely an excuse for carnage… Read More »
THE DARK TOWER
Intermittently garrulous, yet generally somnambulant, THE DARK TOWER disappoints on almost every level. Based on the Stephen King series of the same name, the cinematic version blows a kiss to the novels, then goes its own way plot-wise for reasons that defy explanation, unless it’s a scheme similar to the one in Mel Brooks’ classic… Read More »
WAR FOR THE PLANET OF THE APES
There is something heartening in a sequel to a sequel that is as good as the original. Imagine how much more heartening it is that WAR FOR THE PLANET OF THE APES, the third in the trilogy that launched with the excellent DAWN OF THE PLANET OF THE APES and continued with the equally excellent… Read More »
10 CLOVERFIELD LANE
The world of JJ Abrams is rife with Easter Eggs and red herrings. He has such a penchant for them that one can be forgiven for finding them even when they may or may not be intentional. Take, for example, a conversation in 10 CLOVERFIELD LANE, a film he produced, but did not write or… Read More »
A Ho-Hum TERMINATOR GENISYS
Inflated and grandiose, TERMINATOR GENISYS rethinks the Terminator mythos by coming up the novel notion that changing the past might have more than the intended repercussions. Hence, when the John Conner (Jason Clarke, near left) in this timeline sends Kyle Reese (Jai Courtney, far left) back to 1984 Los Angeles to save John’s mother, Sarah (Emilia Clarke),… Read More »
Perry Blackshear, MacLeod Andrews & Evan Dumouchel Insist that THEY LOOK LIKE PEOPLE
THEY LOOK LIKE PEOPLE is a first-rate existential horror film, as well as a psychological thriller. I got the same vibe watching it that I had gotten watching PI and BRICK, the maiden efforts of Darren Aronofsky and Rian Johnson respectively. Writer/director Perry Blackshear understands more than just how to create evocative, even sumptuous, visuals, he knows… Read More »
BULLETPROOF MONK
With a title like BULLETPROOF MONK, it’s not like we can expect a film that will be on the short list for next year’s Oscar. Still, fans of Chow Yun-Fat will find enough here to keep them happy. Chow is the eponymous Tibetan monk, charged with keeping safe a scroll that could spell apocalypse if… Read More »
Brit Marling & Zal Batmanglij Listen to the SOUND OF MY VOICE
For co-writers Zal Batmanglij and Brit Marling, making SOUND OF MY VOICE wasn’t just a labor of love, but one of passion. Batmaglij directed and Marling stars as Maggie, the enigmatic leader of a cult who claims to have come from the future to save her followers in a film that lets the audience decide… Read More »
Simon Pegg & Edgar Wright Gift Us with SHAUN OF THE DEAD
Co-screenwriters Simon Pegg and Edgar Wright, star and director respectively, of SHAUN OF THE DEAD were, you’ll pardon the expression, dead tired when I chatted with them on August 12, 2004. They’d been up late the night before doing a smashingly successful Q&A at a preview screening of their film and they had been doing… Read More »