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AMERICAN ULTRA

August 20, 2015 By Leave a Comment

AMERICAN ULTRA

There is a bold sense of anarchy to AMERICAN ULTRA that is as unrepentant as it is unpredictable.

Tagged With: black light, black ops, CIA, Connie Britton, covert ops, espionage, Jesse Eisenberg, John Leguizamo, Kristen Stewart, Mandelbrot sets, quarantine, romane, spies, thriller, Tony Hale, Topher Grace, violence, West Virginia

THE MAN FROM U.N.C.L.E.

August 11, 2015 By 2 Comments

THE MAN FROM U.N.C.L.E.

Having quaffed a drink laced with something that will shortly knock him cold, Napoleon Solo (Henry Cavill) does the sensible thing. He gathers some throw-pillows and carefully places first them, and then himself, upon the nearest sofa. Once, he explains to the person responsible for slipping him the mickey, he hit his head during the… Read More »

Tagged With: 1960s, Armie Hammer, atom bomb, based on a television series, CIA, cold war, espionage, feature, Henry Cavill, Illya Kuryakin, KGB, Napoleon Solo, narrative, THE MAN FROM U.N.C.L.E.

FANTASTIC FOUR, Alas Not So Much

August 7, 2015 By Leave a Comment

FANTASTIC FOUR, Alas Not So Much

So the story goes, when the first atomic bomb was being tested out there in the New Mexico desert, no one was sure that that chain reaction that started with detonation would end with the explosion. There was, in other words, a chance that the reaction would continue until our planet was a burned out… Read More »

Tagged With: cgi, FANTASTIC FOUR, Marvel Comics, Miles Teller, military-industrial complex, narrative, origin story, parallel dimensions, super hero, teleportation

SHAUN THE SHEEP MOVIE

August 5, 2015 By 2 Comments

SHAUN THE SHEEP MOVIE

Four decades ago there was a Monty Python sketch in which Graham Chapman and Terry Jones discussed why a flock of off-screen sheep were hopping about on their back legs, attempting (badly) to fly, and doing something in trees that appeared to be nesting. It appeared that they had been led to believe that they… Read More »

Tagged With: aardman, animation, Mark Burton, narrative, Richard Starzak, SHAUN THE SHEEP MOVIE, stop-motion animation

MISSION IMPOSSIBLE: ROGUE NATION Rocks

July 31, 2015 By 1 Comment

MISSION IMPOSSIBLE: ROGUE NATION Rocks

MISSION IMPOSSIBLE: ROGUE NATION is lean, mean, and seriously fun. There is not a wasted moment for fans of high-energy, slickly plotted action flicks of the popcorn variety, as this installment of the franchise finds the Impossible Mission Force shut down by the government, but not out of business. Not by a longshot. Their last official… Read More »

Tagged With: action, Alec Baldwin, conspiracy, franchise, Jeremy Renner, MISSION IMPOSSIBLE: ROGUE NATION, narrative, sequel, shadow government, Simon Pegg, Tom Cruise

A Ho-Hum TERMINATOR GENISYS

July 4, 2015 By Leave a Comment

A  Ho-Hum TERMINATOR GENISYS

Inflated and grandiose, TERMINATOR GENISYS rethinks the Terminator mythos by coming up the novel notion that changing the past might have more than the intended repercussions. Hence, when the John Conner (Jason Clarke, near left) in this timeline sends Kyle Reese (Jai Courtney, far left) back to 1984 Los Angeles to save John’s mother, Sarah (Emilia Clarke),… Read More »

Tagged With: apocalypse, franchise reboot, John Conner, Kyle Reese, Los Angeles, narrative, robot, San Francisco, Sarah Conner, Sci-fi, Skynet, T-1000, T-800, Terminator, time travel

JURASSIC WORLD Bigger Dinosaurs, Less Fun

June 15, 2015 By Leave a Comment

JURASSIC WORLD Bigger Dinosaurs, Less Fun

There’s a problem when the most complex character in a film is the dinosaur.  Then again, JURASSIC WORLD is a film,  that like the eponymous amusement park depicted within its two-hour or so running time, has only those extinct animals to offer by way of novelty.  Not that this quasi-sequel to JURASSIC PARK is bad,… Read More »

Tagged With: amusement parks, Bryce Dallas Howard, cgi, Chris Pratt, Chris Robinson, dinosaurs, gene splicing, Irfan Khan, Jake Johnson, JURASSIC PARK, military-industrial complex, Sci-fi, Ty Simpkins

SAN ANDREAS’ Flight of Fancy

June 6, 2015 By 1 Comment

SAN ANDREAS’ Flight of Fancy

If nothing else, SAN ANDREAS is one of the finest advertisements ever made for the importance of emergency preparedness.  Those who survive the state-long earthquake that erupts on the eponymous fault line are either those who know to duck under a table or shelter by a solid wall, or those who are related to those… Read More »

Tagged With: blockbuster, Carla Gugino, disaster movie, Dwayne Johnson, Los Angeles, narrative, plate tectonics, SAN ANDREAS, San Francisco, The Rock, tsunami

MAD MAX: FURY ROAD

May 13, 2015 By Leave a Comment

MAD MAX: FURY ROAD

George Miller first sent Mad Max blazing across the sere post-apocalyptic landscape in 1979 and thence onto cinematic legend. Sequels followed. Mel Gibson in the eponymous role rose to international fame and, eventually, Miller moved on to different sorts of classics with BABE and HAPPY FEET. Now, thirty years and more later, he is revisiting… Read More »

Tagged With: Charlize Theron, cinema, dystopian future, George Miller, Hugh Keays-Byrne, MAD MAX: FURY ROAD, movie, narrative, Nicholas Hoult, patriarchy, post-apocalyptic, reboot, Sci-fi, Toecutter, Tom Hardy

HOME is Where the Heart is

March 27, 2015 By Leave a Comment

HOME is Where the Heart is

Based on the novel “The True Meaning of Smekday” by Adam Rex, HOME is a sweet animated film that is equal parts cheery and poignant.  Aimed more at kids than at adults, it takes the time-honored themes of friendship, family, and keeping promises and wraps them in an imaginative new package as shiny and inviting… Read More »

Tagged With: "The True Meaning of Smekday", Adam Rex, alien invasion, animation, Dreamworks, Jennifer Lopez, Jim Parsons, kids, movie, Rihanna, Steve Martin, young adult

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