With DR. STRANGE IN THE MULITVERSE OF MADNESS, we are gifted with a thimbleful of plot in a vast expanse of cinematic ocean. This being yet another piece of the equally vast Marvel Universe, the story is obliged to take its hero, Stephen Strange (Benedict Cumberbatch), from Point A to Point B in order to… Read More »
MEMORY
Based on the delightfully quirky 2003 Belgian film, The Memory of a Killer, MEMORY has the makings of a solid neo-noir. Alas, rather than a tight script to match its excellent visual acuity, MEMORY rambles too much before leading us down the familiar path of corruption in high places and the loss of innocence across… Read More »
THE NORTHMAN
Those familiar with HAMLET will find some familiar things in Robert Eggers’ THE NORTHMAN, and that is no coincidence. The source material for both is Sjón’s Gesta Danorum (circa 1200) about a prince with both mommy issues and a usurping uncle. Where Shakespeare adapted the story to his time creating an elegantly and eloquently melancholy… Read More »
THE UNBEARABLE WEIGHT OF MASSIVE TALENT
Having starred in a deliciously odd self-portrait by and of Charlie Kaufman, ADAPTATION, Nicolas Cage has waited two decades to take the surreal meta-plunge again and waiting for just the right script has paid off for him and for us. In THE UNBEARABLE WEIGHT OF MASSIVE TALENT, he plays a fictionalized version of himself, hamstrung… Read More »
AMBULANCE
If Michael Bay is smart, and having a long career as, essentially, a one-trick pony, leads us to believe he must be, he will cast Olivia Stambouliah in all his films from now on. As Lieutenant Dhazghig, the crack surveillance officer in charge of keeping track of where the rogue, and eponymous subject of Bay’s… Read More »
MORBIUS
Let me start with a spoiler. MORBIUS is not a good film. This grim and grimy excursion into the Marvel Universe has the special effects. It has the clash of superhero and super villain. It has a bustling metropolis (New York City) where the residents, and at least one federal agent, are quick to blame… Read More »
THE BATMAN
One thing you can say about THE BATMAN without fear of contradiction is that there is a lot of it. Clocking in at three hours or so, it packs in enough plot for a trilogy, as though all concerned fretted that this might be their only shot at the rebooted DC franchise. Fear not, though.… Read More »
UNCHARTED
UNCHARTED is like the first pitch meeting to potential financiers, which is odd since it’s been in development for almost a decade. What we have here is the broad outline of a plot full of twists, turns, and aerial stunts. What we don’t have is any sense of order or logic, even that of the… Read More »
MOONFALL
MOONFALL is everything that a Roland Emmerich film should be. There are dazzling special effects. There are several plot threads happening simultaneously that occasionally show a puckish confluence. There are parent-child issues. And there is a huuuuuuuuuge story. This time, it’s the curious case of the moon shifting its orbit in a way that defies… Read More »
ETERNALS
There is quite a bit going on with THE ETERNALS, a bold attempt to marry CGI action on a grand scale with metaphysical musings about free will, while also contemplating the fundamental principles of physics vis a vis the conservation of energy in the universe. Like I said, a lot. Had it worked, it would… Read More »
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