And so we discover with TERMINATOR: DARK FATE that time is not an endless loop where events repeat zoetrope fashion. Rather it is a curly-cue, not unlike a fusilli. So it is that in this version of the saga, the apocalypse that was/will be Skynet never happened, and John Connor is a name unknown in… Read More »
GEMINI MAN
It is the age old question, just because we >can< so something, does that automatically mean that we should? In the case of pitting an older Will Smith against a younger Will Smith courtesy of the slick visual effects in GEMINI MAN, the answer is a resounding no. Make that NO. The visual trickery that… Read More »
RAMBO: LAST BLOOD
And so we have, putatively, come to the end of the John Rambo saga. What began as a popcorn flick with a few hard-edged lobs at the price of war on the psyche has, over the years, devolved into an ego massage for its standard-bearer, Sylvester Stallone. He returns as a greyer, more wizened Vietnam… Read More »
ANGEL HAS FALLEN
The word is carnage. ANGEL HAS FALLEN never goes more than a few minutes without someone or something being taken out. Sometimes in multiples. Often with a fiery conflagration. Very often. This third in the series featuring dogged Secret Service agent Mike Banning (Gerard Butler) finds our hero happily settled into blissful domesticity with wife… Read More »
FAST AND FURIOUS PRESENTS: HOBBS AND SHAW
HOBBS AND SHAW is, occasionally, as clever as it thinks it is. Fueled by that cocksure attitude, a healthy dose of ironic self-awareness, and the undeniable star power of its three eye-candy leads, this spin-off from the Fast and Furious franchise is a pleasant enough diversion. The plot is strictly a perfunctory exercise involving a… Read More »
SPIDERMAN: FAR FROM HOME
We learn many things in SPIDERMAN FAR FROM HOME. We learn that not only are the Dutch polyglots, but also that they are the nicest people on earth, even when a private jet is making hash of their iconic tulip fields. We learn that saving the planet is just as important as getting that first… Read More »
ANNA
There is in Luc Besson’s ANNA fully one-third of a very good movie. That third is a finely drawn satire, cartoonishly violent in its sublimation of female rage as it addresses female exploitation in the modern world using the milieus of espionage and modeling as the metaphor. The other two-thirds is a plodding retread of… Read More »
MEN IN BLACK INTERNATIONAL
When a once profitable film franchise begins to fade, the studios that have reaped the benefits of same are left with little choice about how to handle it. With so much money at stake, both in ticket sales and ancillary merchandise on the line, they can’t just let it slip away with dignity. No, they… Read More »
DARK PHOENIX
Is this really how it all ends? A ragged bit of doggerel to finish out the cinematic X-Men saga? Or at least this incarnation of same. What started as a trenchant study of human nature at its best and worst, as well as a scathingly good time at the movies has, with DARK PHOENIX, devolved… Read More »
GODZILLA: KING OF THE MONSTERS
For most of GODZILLA: KING OF THE MONSTERS, the eponymous monsters pretty much go about their business without taking any notice of the small, scuttling humans that flee in their wake. For their part, the humans, when they are not scuttling, are providing the exposition between bouts of special effects eruptions. Hence, if you don’t… Read More »
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