Just when you thought we’d lost the knack for producing a live-action musical film here in the States, along comes CHICAGO. Set in 1920s in that toddling town, this hard-as-nails tale of sex, politics, fame, and most of all jazz, is a big, splashy, brassy confection wrapped up in a bow with enough bugle beads… Read More »
SPIDER
David Cronenberg’s particular genius is getting inside our deepest, most primal fears, the ones that exist in the id and are impervious to any assuaging from the land of logic. Hence in RABID, Marilyn Chambers grows something suspiciously phallic in a most unexpected place, in VIDEODROME, our televisions turn on us, and in DEAD RINGERS,… Read More »
HOLES
There is an attitude among some filmmakers that children’s films should be anything but sophisticated, rather, they should be simple in theme and execution and excruciating for anyone over the age of five. Not just the flicks for little kids, either, as evidenced by such recent mush as WHAT A GIRL WANTS. And for those… Read More »
MONSTER
Patty Jenkins’ film, MONSTER, is brilliant, breathtaking, and completely unforgettable. Those are words that are sorely overused in the land of crit-speak, and yet there are few films that are so very deserving of them. Jenkins biographical story of Aileen Wournos, convicted serial killer, has all the earmarks of a tabloid tale from one of… Read More »
GARDEN STATE
Only rarely does a film as profound, as rich, and as deeply affecting as GARDEN STATE come along. Even more rarely is it the handiwork of a first-time filmmaker. That would be Zack Braff, known for his role as the philosophically harried intern on the subversively wicked comedy, Scrubs. Braff is Andrew Largeman, a struggling… Read More »
CRIMINAL
Greed makes the world go around, at least it does in the seedy world of CRIMINAL. This re-make of the Argentinian film, NINE QUEENS, has been re-imagined by writer/director Gregory Jacobs as a quirky daylight noir with a plot that spins on a dime as its twists and turns on its way to proving that it’s… Read More »
ALFIE
The thing about Jude Law is that he is so unbelievably beautiful. Such is his pulchritude, not to mention his irresistible onscreen charm, that its easy to overlook the undeniable acting chops that are greater even than the sum of his more ephemeral gifts. In ALFIE, Charles Shyer’s re-make of the 60s classic that starred… Read More »
KINSEY
KINSEY opens with the face of Peter Sarsgaard in close-up looking directly into the camera and asking questions of a sexual nature. An offscreen voice stops him when he uses a euphemism for a sexual act. No, says the voice that we will shortly learn is Kinseys, it wont work unless you are completely straightforward,… Read More »
SYRIANA
At two different points during SYRIANA, two different men in traditional Arab robes sits on a floor surrounded by two different sets of rapt listeners sitting in a circle. Each explains with perfect conviction how to make the world a better place. One is an eloquent imam in a poverty-stricken madrassa, advocating a return to… Read More »
TSOTSI
With TSOTSI, Gavin Hood has taken the liberty of updating the timeframe of South African writer Athol Fugard’s only novel. In doing so, the politics of apartheid that spurred the story in the book has given way to the tragedy of AIDS. Changing the circumstances of its title character’s orphaning, though, doesn’t affect the nature of… Read More »
- « Previous Page
- 1
- 2
- 3
- 4
- 5
- …
- 14
- Next Page »