It is as though Denzel Washington wanted his performance as the title character in Joel Coen’s THE TRAGEDY OF MACBETH were conceived and executed as a tribute to the famous sleepwalking scene played by Lady Macbeth. He speaks the lines not trippingly from the tongue, but rather mumbled with little emotional affect, albeit with admirable… Read More »
LUCE
LUCE is less a film than a political dialectic on race and class in these United States, and a brilliant, exquisitely performed one at that. Told with a deliberate, sometimes maddening ambiguity, it challenges the audience at every turn about where the truth lies, and the limits of familial loyalty. By the end, not every… Read More »
LEN AND COMPANY
The eponymous Len, of LEN AND COMPANY is Len Black (Rhys Ifans), a successful record producer and towering failure of a human being, who has absented himself from the world in order the ponder the detritus of his life. He longs for silence, or at least no music of any kind in his rustic upstate… Read More »
Pablo Larrain Says NO
Pablo Larrain talks the perspective of time, the metaphor of equality, and why politics are always personal. NO is the story of how in 1988, a group of dedicated and media-savvy people took a sham election in Chile and turned it into a bloodless coup that remains the only modern example of removing a dictator… Read More »
Welcome to JIMMY’S HALL
Ken Loach has never been a filmmaker to shy away from politics. In fact, a case could be made that the reason he makes films is to explore politics, the which he has done with such strident films as BREAD AND ROSES (union organizing in contemporary Los Angeles) and LAND AND FREEDOM (the Spanish Civil… Read More »
Brian Sloan has A WTC VIEW
WTC VIEW was the first play from The New York International Fringe Festival to make the leap to the big screen in 2005, but playwright Brian Sloan resisted the temptation to fundamentally change the nature of his play by opening it up beyond the one apartment in which it takes place. The metaphor of a… Read More »
CHICAGO
Just when you thought we’d lost the knack for producing a live-action musical film here in the States, along comes CHICAGO. Set in 1920s in that toddling town, this hard-as-nails tale of sex, politics, fame, and most of all jazz, is a big, splashy, brassy confection wrapped up in a bow with enough bugle beads… Read More »
THE SHAPE OF THINGS
Neil LaBute starts his latest film, THE SHAPE OF THINGS, off with a sly dig at what the story is going to be about. His stars are not given character names in the credits, they’re listed as “actress” or “actor” in much the same way that credits traditionally list “director” or “writer”, both of which… Read More »
DREAMGIRLS
If Jennifer Hudson never makes another movie, if she never sings another song, if she drops off the radar tomorrow, her place in cinematic history will nonetheless be cemented forever by her acting debut in DREAMGIRLS. It’s as though fate has conspired to keep the Broadway hit loosely based on the rise of Diana Ross… Read More »
LOVE! VALOR! COMPASSION
LOVE! VALOR! COMPASSION! is a romantic comedy, full of great one-liners, that, nonetheless is not shy about taking on serious subjects, such as the human heart. Forget space, this is the real final frontier. Nothing else has such an infinite capacity to delight, destroy, and surprise. The story takes place over three holiday weekends during which a… Read More »