There is nothing subtle about HIGH-RISE, a savage allegorical satire of manic energy and pointed symbolism. Based on the novel of the same name by J.G. Ballard, it stars Tom Hiddleston as an urbane neurologist about to discover his place in the social order, and Jeremy Irons as The Architect (how Masonic?), the emotionally constipated… Read More »
SWEPT AWAY
When Lina Wertmuller, the elfin feminist gadfly of Italian cinema, made SWEPT AWAY back in 1974, it was a tantalizing and brutal take on the war between the sexes, between the classes and on the whole human comedy. When Guy Ritchie re-wrote the script for his wife, Madonna, I’m sure he thought it was a… Read More »
Jean-Pierre Jeunet Tinkers at MICMACS
Jean-Pierre Jeunet’s puckish yet profound approach to filmmaking, evident in such films as AMELIE and THE CITY OF LOST CHILDREN, has been delighting audiences for years. His latest, MICMACS, is no exception, dealing as it does with arms dealers who show a complete indifference to the results of their actions, and the inventive denizens of the lowest… Read More »
CRASH With Ryan Phillppe and Paul Haggis
CRASH represents a sea change in careers moves for many of the people involved, not the least director and co-writer Paul Haggis, a veteran of television sitcoms. The provocative story of anger, fear, and race relations in contemporary Los Angeles also provides Ryan Phillippe with one of his best roles in years, maybe the best… Read More »