The question, of course, is whether the puckish premise of NOBODY has enough going for it to warrant a sequel. The good news, as we learn in NOBODY 2, is that it does. Once again tweaking the stereotype of family values and the monotony of suburbia, Bob Odenkirk and company take us on an unexpected… Read More »
WEAPONS
It is a testament to writer/director Zach Cregger that the most ominous moment in WEAPONS, the one that does more than merely frighten, the one that is like an icepick to the brain has none of the gore with which the finale is replete. Instead, it is a POV shot from a distance of a… Read More »
TOGETHER
TOGETHER is an impudent entry into the body horror genre in which the fusing together of two people becomes a, ahem, visceral metaphor for intimacy before venturing gamely into a novel definition of a happy ending. Working on two levels at once, the result is a film that provokes and repels all while considering the… Read More »
EDDINGTON
Ari Aster’s EDDINGTON will confirm your worst fears and provoke a few new reasons for anxiety about how the world really works. This brilliant use of microcosm as macrocosm is a brutal satire that does not permit the surcease of even nervous laughter or the respite of supernatural forces at work. No, this hell on… Read More »
BRIDE HARD
If there was ever doubt about the sheer talent possessed by Da’Vine Joy Randolph, and there shouldn’t be after her Oscar®-winning turn in THE HOLDOVERS, it should be dispelled once and for all after seeing her take charge of the morass that is BRIDE HARD. Tasked with playing Lydia, a one-note character, and one that… Read More »
DANGEROUS ANIMALS
There’s something refreshing about the sharks featured in DANGEROUS ANIMALS >not< being the villains of the piece. Instead, they are presented on their own terms as majestic creatures of the deep who would really, really rather not deal with humans in any way shape or form, and that includes lunch. Instead, we have a human… Read More »
FROM THE WORLD OF JOHN WICK: BALLERINA
I miss the suit. I know it’s crazy, but the conservative, and bullet-proof. Black suit that John Wick sports while doing the impossible makes a statement. It does show up, as does Mr. Wick himself, in From the World of John Wick: Ballerina, but it only makes me miss it more. While, not as hyperbolically… Read More »
HURRY UP TOMORROW
The phrase that floats to mind most relentlessly while watching HURRY UP TOMORROW is self-indulgent. The film, which follows a musician over the course of a fraught few days, lingers insistently on its star, Abel Tesfaye aka The Weeknd, a handsome man with a fine stage presence caught in a script he co-authored that seeks… Read More »
FRIENDSHIP
FRIENDSHIP is a sly rapscallion of a film, part edgy suburban noir, part situation tragedy, part existential comedy, and all a gloss on loneliness and alienation as viewed through the prism of Craig (Tim Robinson), a symphony of well-meaning beige schlubness. Writer/director Andrew DeYoung suffuses this cringe-genre satire with an ironic absurdity that serves all… Read More »
THE SURFER
THE SURFER is a sundrenched, blood-soaked examination of toxic masculinity and generational trauma that hearkens back to the symbolist dramas of the 60s and 70s with its surreal overtones and pointed commentary. It is also the kind of film for which Nicolas Cage was gifted to us by the universe. If for no other reason,… Read More »
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