The French title of Quentin Dupieux’s latest film, KEEP AN EYE OUT, relies on a clever bit of wordplay in its two words, AU POSTE. One of the meanings of poste is police station, where the action takes place. Another is post, as in taking up one’s post. There are more, the translation of which… Read More »
I BLAME SOCIETY
I’m not giving anything away to tell you the punch line in Gillian Wallace Horvat’s I BLAME SOCIETY. It’s a perfectly timed, and even more perfectly delivered explanation about the film her character made in the course of this vicious, and viciously funny satire: I’m sorry it didn’t meet your expectations, I didn’t make it… Read More »
THE TWENTIETH CENTURY
It’s possible that a working knowledge of Canadian culture and politics might annotate the sheer joy of watching Matthew Rankin’s THE TWENTIETH CENTURY, but a lack of same in no way diminishes it. This rapturously surreal romp through fascism, propaganda, and the perils of love delights in its arch embrace of retro-futuristic artifice and vintage… Read More »
THE HUNT
No one is spared in Nick Cuse and Damon Lindelof’s THE HUNT, nor, as, will be revealed by the end, should they be. Our intrepid filmmakers have eschewed taking sides in the current political morass, instead opting for a more challenging take on the foibles of human nature itself. A bold move guaranteed to raise… Read More »
THE OATH — Ike Barinholtz Interview
Click here to listen to the interview. he family Thanksgiving dinner can be a tricky time as many, and not necessarily, compatible personalities and opinions converge over a table groaning with too much food. In the current, and fraught, political climate, that is even more true. Ike Barniholtz, writer/director/co-star of THE OATH, took that idea… Read More »
DOWNSIZING
DOWNSIZING is a film that cries out to be admired. Pondered. Parsed. Philosophical propositions and social commentary flit by in a mad whirl of arch observation and deadpan dea as we are invited to consider a veritable cornucopia of topics, all eminently worthy of examination. The class struggle and the human propensity for prejudice; the… Read More »
TICKLING GIANTS — Dr. Bassem Youssef & Sara Taksler Interview
Often called the Egyptian Jon Stewart, Dr. Bassem Youssef was the star of a wildly popular television show there that satirized politics in ways that country had never seen. Likely it won’t see one like it again any time soon. The show, entitled, “The Show,” was taken off the air despite high ratings when the… Read More »
THE BRAND NEW TESTAMENT (Le tout nouveau testament )
THE BRAND NEW TESTAMENT is a clever and wise deconstruction of dogma and patriarchy. Taking as its premise that God (Benoît Poelvoorde) is real, but less than benevolent, it gives us the story of his other child, the one who didn’t get her own book and who doesn’t like the status quo and takes it… Read More »
Amy Schumer is No TRAINWRECK
Turning gender roles neatly on their heads, Amy Schumer has created a screwball comedy of considerable substance. Taking sure aim at the abomination of the formula rom-com, she satirizes not just the genre, but the state of contemporary single-hood. Starring in a script of her own devising, she is fearless, relentless, and completely unapologetic as the titular hot mess, also named Amy, with commitment issues and a healthy libido.
David Cross Takes the HITS
David Cross was off coffee because of a stomach ailment when I talked to him on February 5, 2015 just before his film, HITS, kicked of SFIndieFest. Opting for tea, and overcoming his distaste for the bergamot in his Earl Gray, he was a lively conversationalist as we discussed his maiden effort writing and directing a feature film.… Read More »