BLACK PANTHER is the standard by which all other superhero movies this year will be measured. Maybe this decade. Showcasing the expected show-stopping special effects, a rich mythology from the Marvel comic on which it is based, and plenty of rousing action that is both imaginative (weaponized rhinoceroses) and genuinely suspenseful, it gets the most… Read More »
THE COMMUTER
It’s all about what you want from a Liam Neeson action flick. That and managing expectations. Will it be great art? Probably not. Will it be fun? Maybe. In this case, it is. In THE COMMUTER, Neeson is an ordinary ex-cop turned insurance salesman named Mike, living paycheck to paycheck with his beloved wife (Elizabeth… Read More »
JUSTICE LEAGUE
JUSTICE LEAGUE is a film with many problems. Some are inherent in an origin-style story that introduces several characters to what the filmmakers hope will be an audience eager to follow their further, individual, adventures. Some are just inexplicable. Take the plot device that is nothing short of asinine, and which I can’t discuss without… Read More »
LOVING VINCENT
The subjects of Vincent Van Gogh’s masterpieces come to startling, vivid, and enchanting life in LOVING VINCENT, a film of enormous beauty and sharp insight. Created by rotoscoping actors, and then painting each animation cell by hand in oils, the result is an immersive experience of how the artist saw the world while also questioning… Read More »
LOGAN LUCKY
Transposing the milieu from glitz to grits, Steven Soderbergh’s LOGAN LUCKY does more set an intricate heist flick in the backroads of Appalachia, it also makes a sly statement about class, culture, and our preconceived notions about those two things. It also has something that most Soderbergh films lack for all their visual impact: heart.… Read More »
THE DARK TOWER
Intermittently garrulous, yet generally somnambulant, THE DARK TOWER disappoints on almost every level. Based on the Stephen King series of the same name, the cinematic version blows a kiss to the novels, then goes its own way plot-wise for reasons that defy explanation, unless it’s a scheme similar to the one in Mel Brooks’ classic… Read More »
DUNKIRK
Spinoza once opined that you couldn’t use words to describe God, because by choosing any one or several, you would be eliminating the infinite nature of the deity. That essential inadequacy of words drives much of Christopher Nolan’s stunning film, DUNKIRK. Stunning in many sense of that word. Hence, we don’t learn that Tommy (Fionn… Read More »
WAR FOR THE PLANET OF THE APES
There is something heartening in a sequel to a sequel that is as good as the original. Imagine how much more heartening it is that WAR FOR THE PLANET OF THE APES, the third in the trilogy that launched with the excellent DAWN OF THE PLANET OF THE APES and continued with the equally excellent… Read More »
SPIDER-MAN: HOMECOMING
Leaving aside what might otherwise be a richly nuanced discussion of why we need another Spider-man reboot so soon, it is with delight and relief that I report its success. Tom Holland takes on the red spandex and the ironic wisecracks as Peter Parker, the brilliant high-school kid whose bite from a radioactive spider has… Read More »
MEGAN LEAVEY
There is nothing more endearing that the story of a dog and its loyal owner, and this is eminently the case with the fact-based MEGAN LEAVEY. Usually the stuff of sentiment of the most syrupy nature, these stories usually inhabit a special sub-genre of family-friendly flicks designed to reassure the intrinsic goodness of the family… Read More »
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