When a once profitable film franchise begins to fade, the studios that have reaped the benefits of same are left with little choice about how to handle it. With so much money at stake, both in ticket sales and ancillary merchandise on the line, they can’t just let it slip away with dignity. No, they… Read More »
DARK PHOENIX
Is this really how it all ends? A ragged bit of doggerel to finish out the cinematic X-Men saga? Or at least this incarnation of same. What started as a trenchant study of human nature at its best and worst, as well as a scathingly good time at the movies has, with DARK PHOENIX, devolved… Read More »
GODZILLA: KING OF THE MONSTERS
For most of GODZILLA: KING OF THE MONSTERS, the eponymous monsters pretty much go about their business without taking any notice of the small, scuttling humans that flee in their wake. For their part, the humans, when they are not scuttling, are providing the exposition between bouts of special effects eruptions. Hence, if you don’t… Read More »
ALADDIN
The live-action version of ALADDIN does many things, including blurring the line between animation and live-action, not unlike the once and future AVATAR. It is more animation than live action and perhaps at some point there should be specific designation for cinematic efforts of this kind. But I digress. Most of what makes the film… Read More »
AVENGERS: ENDGAME
The stakes have been raised so many times with event flicks that, when approaching one, hope is always tempered with experience about what to expect, to paraphrase Samuel Johnson. With AVENGERS: ENDGAME, though, hope wins out. The spectacle is everything it should be, and the story, of necessity a meandering thing, is nonetheless sustained by… Read More »
SHAZAM!
There is a wondrously cheesy sincerity to SHAZAM! that makes its weak spots irrelevant. It is, in many ways, as pure of heart as its champion, and just as giddy about discovering that magic is real. Plus, there’s that flaming Santa running for his life during the climactic final face-off between good and evil.
ISN’T IT ROMANTIC
It’s a clever premise that propels ISN’T IT ROMANTIC, using the idiom of rom-coms to give us just that, but a rom-com that affirms that the regular Joe and Jane out there can also be the star. One that deconstructs every cliché with self-aware relish, while also staying open to the magic of true love.… Read More »
THE UPSIDE
It is with great relief that I report on an American remake of a fine French film that doesn’t drain me of the will to live. After DINNER FOR SCHMUCKS and FATHER’S DAY, the travesties of which haunt me to this very day, Neil Burger’s THE UPSIDE captures most of the essence of what made… Read More »
GLASS
We learn many things in M. Night Shyamalan’s GLASS. We learn that the Philadelphia police department has an abysmal response time. We learn that a fully staffed psychiatric hospital has only two orderlies its employ. And we learn that James McAvoy still cries more manfully than any other actor working today. Possibly ever. He is… Read More »
HOLMES AND WATSON
One comes away from HOLMES AND WATSON bemused. The stunning lack of entertainment value in a film starring Will Ferrell and John C. Reilly is almost a body blow, such is its unremitting ineptitude. Using as its premise the same spoofery done much better by the Wayans Brothers in their series of SCARY MOVIE riffs,… Read More »
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