If you are a Wiliiam Shater fanboy or girl, SENIOR MOMENT is the flick you’ve been waiting for. As an aging Lothario with a kooky sidekick (Christopher Lloyd), he oozes the Shatner brand of charm while skating through a predictable story about how Peter Pan finally grows up. He plays Victor, a senior citizen in… Read More »
FRANCESCO
Click here to listen to the flashback interview with Evgeny Afineevsky for CRIES FROM SYRIA. FRANCESCO can be classified as a hagiography of Pope Frances. Certainly, what Evgeny Afineevsky shows us of His Holiness is a man of great faith and great, notably ecumenical, compassion. Even when Frances makes a blunder about the sexual abuse… Read More »
THE TANGLE
Be advised. THE TANGLE is a hard-boiled techno-noir to which close attention must be paid. Fortunately, this intriguing bit of speculative fiction is also an enticing piece of filmmaking, making that requirement a pleasure. Rendered with a suitably moody chiaroscuro and a mid-century vibe, this murder mystery is plotted with fiendishly clever twists, while the… Read More »
KEEP AN EYE OUT (Au Poste)
The French title of Quentin Dupieux’s latest film, KEEP AN EYE OUT, relies on a clever bit of wordplay in its two words, AU POSTE. One of the meanings of poste is police station, where the action takes place. Another is post, as in taking up one’s post. There are more, the translation of which… Read More »
A GHOST WAITS
While it is tempting to think of A GHOST WAITS as merely one of the best love story involving a ghost since THE GHOST AND MRS. MUIR, there is a great deal more going on director/co-writer Adam Stovall’s witty, cinematically rich, yet philosophically dense effort. At the risk of being accused of overthinking it, one… Read More »
A NIGHTMARE WAKES
The most potent image in A NIGHTMARE WAKES, a film that is rife with them, is the juxtaposition of blood and ink as Mary Shelley (Alix Wilton Regan) struggles to produce her novel, Frankenstein or A New Prometheus, putatively the beginning of the science fiction genre (pace fans of Cyrano de Bergerac’s A Trip to… Read More »
A GLITCH IN THE MATRIX
By the end of Rodney Ascher’s A GLITCH IN THE MATIX, you may well be questioning the definition of reality. That, of course, is part of his point. Bur far from a light-hearted romp about the fringe-ish theories that posit our living in a computer simulation, Ascher is interested in more than the Mandela Effect,… Read More »
THE NIGHT
With THE NIGHT, Kourosh Ahari has fashioned a deeply disturbing, elegantly told tale of horror that resonates not so much for its supernatural elements, as for the fear that lurks within us all that one day, or in this case, night, we will get what we deserve for our transgressions. Ahari may be using familiar… Read More »
I BLAME SOCIETY
I’m not giving anything away to tell you the punch line in Gillian Wallace Horvat’s I BLAME SOCIETY. It’s a perfectly timed, and even more perfectly delivered explanation about the film her character made in the course of this vicious, and viciously funny satire: I’m sorry it didn’t meet your expectations, I didn’t make it… Read More »
BACK TO BURGUNDY
BACK TO BURGUNDY’s original French title is less about returning home and more about the ties that bind one to that home. I leave the reasons for why movie titles are willfully mistranslated, but bring it up because THE TIES THAT BIND feels like a more accurate description of why a prodigal son finds it… Read More »
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