There is much to unpack in Jordan Peele’s deeply disturbing, darkly funny horror film, US. As it twists and turns through its doppelganger premise, the scariest part of the action isn’t the fear of home invasion by strangers out for slow, painstaking revenge.
US
HEREDITY
The only thing wrong with HEREDITY is that is bound to spawn increasingly inferior installments in a new franchise that is as inevitable as its protagonists’ descent into madness. That aside, this deeply disturbing horror film does not need the supernatural in order to worm its way into the darkest recesses of your psyche where… Read More »
THE GLASS CASTLE — Jeannette Walls Interview
Jeannette Walls is a larger-than-life personality, brimming with energy and a ready laugh that fills a room. That she is still laughing after the childhood she describes in her best-selling memoir, THE GLASS CASTLE is a testament to her innate toughness, and to her ability to appreciate the wonder with which her eccentric parents imbued… Read More »
A QUIET PASSION — Terence Davies Interview
Terence Davies is a man of keen intellect and mordant wit who describes himself as one of life’s observers. His films, THE DEEP BLUE SEA, THE HOUSE OF MIRTH, his semi-autobiographical DISTANT VOICES, STILL LIVES, and OF TIME AND THE CITY, his documentary tribute to his hometown of Liverpool, which used Dickinson’s poetry as part… Read More »
THE RED TURTLE
We are reminded in THE RED TURTLE how superfluous words can be. This animated fable from Studio Ghibli, aimed more at adults than at children, is a thoughtful film about the cycle of life, and a sublime cinematic achievement. A masterpiece, in fact. Starting with a shipwreck, it tells the story of a castaway marooned… Read More »
THE HOLLARS — Margo Martindale & John Krasinski Interview
The problem I run into when writing introductions is deciding what to include and what to leave out when listing the interviewee’s previous credits. In the case of John Krasinski and Margo Martindale, there wasn’t much I wanted to leave out (the woman has won THREE Emmys after all), leading me to crack a joke… Read More »
CAFÉ SOCIETY
There is a theological bent to Woody Allen’s CAFÉ SOCIETY. It’s there in the constant bickering between the hero’s parents about whether or not a relative has a Jewish-shaped head. And, furthermore, if he doesn’t, how can he be a proper Jew? Such questions are a Midrash on the actual story, which concerns a young… Read More »
Matt Ross is CAPTAIN FANTASTIC
CAPTAIN FANTASTIC opens with a deer hunt. It’s graphic. It’s violent. Yet there is something about it that shows enormous respect for the animal, and for the young man who brings it down using only a knife. This is not sport, it’s food. That sequence was the first thing I brought up on July 7,… Read More »
PRINCESS
PRINCESS is an intimately observed film that forces us to face some uncomfortable truths. Told with unflinching honesty, completely eschewing the sensational in favor of the perceptive, we are plunged into a 12-year-old’s waking nightmare lived in a highly sexualized atmosphere created by her mother and her mother’s live-in boyfriend. The girl is Adar… Read More »
MARK OF THE WITCH
If Jason Bognacki had focused his undeniable give for arresting visuals while making MARK OF THE WITCH (aka ANOTHER), he would have made a poetically disturbing film about the sins of the parents being visited on their children. Instead, he has cobbled long swaths of irksome exposition into a horror film that grows tedious before… Read More »