In Hirokazu Koreeda’s last film, the Oscar®-nominated SHOPLIFTERS, he incisively examined the ethics of capitalism, and its effects on one poverty-stricken, yet devoted, ragtag family ingeniously doing battle with a system designed to keep them down economically. In THE TRUTH, he moves the action from Tokyo to Paris to examine the ethics of veracity on… Read More »
WHERE’D YOU GO, BERNADETTE
Based on the novel by Maria Semple, WHERE’D YOU GO BERNADETTE is a tale of artistic vision quashed by its run-ins with the crasser elements of reality, and the consequences of living the resulting inauthentic life with Cate Blanchett perfection as Bernadette, the eccentric anti-social wife of a Seattle Microsoft bigwig. Her skirmishes with her… Read More »
HEREDITY
The only thing wrong with HEREDITY is that is bound to spawn increasingly inferior installments in a new franchise that is as inevitable as its protagonists’ descent into madness. That aside, this deeply disturbing horror film does not need the supernatural in order to worm its way into the darkest recesses of your psyche where… Read More »
COLUMBUS
Casey (Haley Lu Richardson) notes early on that one of the many architectural treasures of the titular COLUMBUS features elements that are off-center, but are still in harmonious balance. It is, as with so much else in this emotionally explosive but soft-spoken film, an exquisitely realized metaphor. A tale of seeming opposites with surprising and… Read More »
SNATCHED
Amy, we hardly knew ye
OUIJA: ORIGIN OF EVIL
I was not a fan of the original OUIJA, which I found to be predictable in plot and pedestrian in execution. Its prequel, however, OUIJA: ORIGIN OF EVIL, is (almost) the exact opposite. Set in 1967, it reveals what happened in that spooky craftsman cottage when Aunt Lina (Annalise Basso) was just a high-school sophomore… Read More »
THE MEDDLER
(A version of this review first appeared in The New Fillmore) The complicated bond between mother and child has never had a better, a funnier, or a more heartwarming cinematic incarnation. Unconditional love and setting boundaries drive the comedy of THE MEDDLER. Written and directed by Loren Scafaria from her own experiences with an adoring… Read More »
PALI ROAD
The challenge when talking with director Jonathan Lim and co-producer Daxing Zhang about PALI ROAD is making sure that we don’t reveal any of the wonderful twists and turns this psychological thriller takes. The story of a woman who wakes up from a coma to a life she doesn’t recognize, but peopled with familiar faces… Read More »
Welcoming THE MEDDLER with Susan Sarandon and Lorene Scafaria
Lorene Scafaria had threatened her mother for a long time about making a movie based on their relationship and calling it THE MEDDLER. With this smart and heart-warming comedy, she has made good on that threat. Based on their relationship, with a few flourishes involving creative license, Scafaria has crafted the story of Marnie Minervini,… Read More »
SISTERS
The one questions that reverberates through SISTERS is why didn’t the stars, Amy Poehler and Tina Fey, write the script? They are producers, after all, and would seem, therefore, to have the clout to get any script that they wanted made, and yet, they have opted to squander their considerable talents on an egregiously plug-and-play… Read More »