I don’t know if TOP GUN:MAVERICK holds the record for the time elapsed between the original and the sequel, but if waiting over three decades results in a film as terrific as this, I hope filmmakers everywhere will at least consider taking their own sweet time when making sequels. This is an adrenalin-junkie’s fantasy, tightly… Read More »
THE NORTHMAN
Those familiar with HAMLET will find some familiar things in Robert Eggers’ THE NORTHMAN, and that is no coincidence. The source material for both is Sjón’s Gesta Danorum (circa 1200) about a prince with both mommy issues and a usurping uncle. Where Shakespeare adapted the story to his time creating an elegantly and eloquently melancholy… Read More »
AMBULANCE
If Michael Bay is smart, and having a long career as, essentially, a one-trick pony, leads us to believe he must be, he will cast Olivia Stambouliah in all his films from now on. As Lieutenant Dhazghig, the crack surveillance officer in charge of keeping track of where the rogue, and eponymous subject of Bay’s… Read More »
MORBIUS
Let me start with a spoiler. MORBIUS is not a good film. This grim and grimy excursion into the Marvel Universe has the special effects. It has the clash of superhero and super villain. It has a bustling metropolis (New York City) where the residents, and at least one federal agent, are quick to blame… Read More »
THE BATMAN
One thing you can say about THE BATMAN without fear of contradiction is that there is a lot of it. Clocking in at three hours or so, it packs in enough plot for a trilogy, as though all concerned fretted that this might be their only shot at the rebooted DC franchise. Fear not, though.… Read More »
THE ABANDON
One of the most intriguing sub-genres of sci-fi/horror cinema is that which is accomplished with few, if any, special effects. The best of these, such as COHERENCE or THEY LOOK LIKE PEOPLE, to name but two, are so thoughtfully conceived and intelligently crafted that the addition of gizmos, gadgets, or those ci-mentioned special effects would… Read More »
DEATH ON THE NILE
And so with DEATH ON THE NILE (2022), we learn about the man behind the moustaches. That would be Hercule Poirot, Agatha Christie’s cerebral Belgian detective devoted to his “little grey cells” and keeping order in the world. The former gets short shrift, mention-wise, in this adaptation, while the latter rears its compulsive head in… Read More »
SUNDOWN
Potent and deliberately enigmatic, Michel Franco’ SUNDOWN doesn’t so much tell a story as put a mirror up to its audience. With a central character that never explains, only exists with his own imperturbable agenda, it is for us to project our own ideas onto him as we sort out the mysteries of his actions… Read More »
THE TRAGEDY OF MACBETH
It is as though Denzel Washington wanted his performance as the title character in Joel Coen’s THE TRAGEDY OF MACBETH were conceived and executed as a tribute to the famous sleepwalking scene played by Lady Macbeth. He speaks the lines not trippingly from the tongue, but rather mumbled with little emotional affect, albeit with admirable… Read More »
HOUSE OF GUCCI
HOUSE OF GUCCI is a ramshackle accretion of muddled plots studded with oddly incoherent character development and performances that range from stock (Al Pacino) to enigmatic (Adam Driver). This overlong effort takes a tale of sex, money, and power among the super rich and renders it into a dull slog brightened only by Lady Gaga’s… Read More »
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