LAST CALL uses what at first seems like a gimmick, two people on a split screen filmed at separate locations in one take in real time, to tell a quietly wrenching precis on loneliness and the need to connect in the 21st-century where access is immediate via phone or internet, but real connection is rare.… Read More »
BLOODSHOT
Where to begin with BLOODSHOT, a derivative lump of lethargy that taints the thrill of the plot twist, and renders an action sequence in plummeting elevators dully predictable? Right down to the quips. Powered solely by Vin Diesel’s star power, it is overwritten and under cogitated, with special effects that aren’t. Diesel is still a… Read More »
JOKER
It is, perhaps, a truism that every generation gets the Batman or Superman that they need/deserve. With Todd Philips’ JOKER, though, we get more than a cultural gloss of the zeitgeist. We get a funhouse mirror that lurks deep within a house of horrors that is an extrapolation of what happens when the 1% of… Read More »
1917
There is a moment during Sam Mendes’ masterpiece of a film, 1917, where a character is permitted to remove himself from the overwhelming, unrelenting now, and process both the facts of what he’s been through and the conjecture about what he’s about to face. During this moment, George MacKay, playing the appropriately named Will, gives… Read More »
RICHARD JEWELL
RICHARD JEWELL certainly has the makings of a compelling, infuriating cautionary tale about the abuse of power, but Clint Eastwood’s homage to the common man chooses instead to be a screed against ambitious women and government agents at the mercy of their hormones. Everything that ensues after Jewell finds a bomb planted at Centennial Part… Read More »
THE CURRENT WAR: THE DIRECTOR’S CUT
THE CURRENT WAR: THE DIRECTOR’S CUT is an elegantly realized intellectual thriller which considers not only the eternal struggle between art and commerce, but also the effect of personalities on inventing the future. In this case, three visionaries, Thomas Edison, George Westinghouse, and Nikola Tesla. Each with a particular kind of genius, each with idiosyncrasies… Read More »
HARRIET
HARRIET achieves the proper, and richly deserved, tone of reverence for its subject, Harriet Tubman. That is, alas, its greatest failing. The astonishing life of one of the most courageous Americans who has ever lived is told in a series of set pieces, vignettes with all drama sapped from them as they take on the… Read More »
GEMINI MAN
It is the age old question, just because we >can< so something, does that automatically mean that we should? In the case of pitting an older Will Smith against a younger Will Smith courtesy of the slick visual effects in GEMINI MAN, the answer is a resounding no. Make that NO. The visual trickery that… Read More »
HUSTLERS
HUSTLERS is about as subtle as a pole dance when it comes to making a case for the poetic justice of what a gang of strippers did to the very Wall Street bankers who plunged the country into financial chaos back in 2008. And that is how it should be. The script written by director… Read More »
LUCE
LUCE is less a film than a political dialectic on race and class in these United States, and a brilliant, exquisitely performed one at that. Told with a deliberate, sometimes maddening ambiguity, it challenges the audience at every turn about where the truth lies, and the limits of familial loyalty. By the end, not every… Read More »
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