READY OR NOT has one of the great cinematic punchlines. It’s much better in context, so I won’t give it away, but suffice to say that it’s not only pithy, it’s also all too relatable. So is the film itself, in a deliciously twisted way. This very black comedy plays on the fine line between… Read More »
FAST AND FURIOUS PRESENTS: HOBBS AND SHAW
HOBBS AND SHAW is, occasionally, as clever as it thinks it is. Fueled by that cocksure attitude, a healthy dose of ironic self-awareness, and the undeniable star power of its three eye-candy leads, this spin-off from the Fast and Furious franchise is a pleasant enough diversion. The plot is strictly a perfunctory exercise involving a… Read More »
THE ART OF SELF-DEFENSE
As a trenchant examination of the roots, expression, and consequences of toxic masculinity, THE ART OF SELF DEFENSE has no peers. As a black comedy told with a straight face and a tone of conviction, it is a first rate guilty pleasure. Any film that can draw guffaws as a small child is gently choked… Read More »
THE DEAD DON’T DIE
THE DEAD DON’T DIE takes the tropes, idioms, and beloved foibles of low-budget zombie flicks and, with a skillful flick of its auteur’s cinematic wrist, recontextualizes them into a stylized gloss on the new normal of 2019. Certainly the “Make America White Again” ball cap sported by the most reviled citizen (Steve Buscemi) of sleepy… Read More »
THE BEACH BUM
There are precisely two redeeming features in Harmony Korine’s latest work, THE BEACH BUM. One, and I don’t care if this is a spoiler or not, the cat is just fine as the end credits roll. Two, Martin Lawrence as the dolphin-loving Captain Whack. He’s so good, in fact, that one hopes for a spin-off… Read More »
US
There is much to unpack in Jordan Peele’s deeply disturbing, darkly funny horror film, US. As it twists and turns through its doppelganger premise, the scariest part of the action isn’t the fear of home invasion by strangers out for slow, painstaking revenge.
ISN’T IT ROMANTIC
It’s a clever premise that propels ISN’T IT ROMANTIC, using the idiom of rom-coms to give us just that, but a rom-com that affirms that the regular Joe and Jane out there can also be the star. One that deconstructs every cliché with self-aware relish, while also staying open to the magic of true love.… Read More »
PATRICK
PATRICK, the film and the eponymous pug who plays him, are sly charmers who take a fairly predictable plot and make it a cozy experience well worth the investment of your time. You don’t need to be a fan of pugs to fall in love with Patrick, an irresistibly headstrong dog with an agenda not… Read More »
HOLMES AND WATSON
One comes away from HOLMES AND WATSON bemused. The stunning lack of entertainment value in a film starring Will Ferrell and John C. Reilly is almost a body blow, such is its unremitting ineptitude. Using as its premise the same spoofery done much better by the Wayans Brothers in their series of SCARY MOVIE riffs,… Read More »
THE SPY WHO DUMPED ME
There is much that is very right with THE SPY WHO DUMPED ME. There is also much that is very wrong with it. It makes for an irksome cinematic experience in which one finds oneself rooting for the flick to pull itself together before the final credits. Spoiler alert, it doesn’t happen. The kitschy-coo title… Read More »
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