When last we saw ex-Triple A rated bodyguard Michael Bryce (Ryan Reynolds), he had succeeded in getting notorious hitman Darius Kincaid (Samuel L. Jackson) to the Hague to testify against a genocidal dictator (Gary Oldman). He had also taken a bullet for Darius, which is part of a bodyguard’s job. It would have been better… Read More »
CRUELLA
It’s somewhere In the third act that CRUELLA goes from being a frothy Disney confection to a Guy Ritchie knock off. Until then, this origin story about the woman who wanted to turn 101 dalmatians into outer wear is pure eye candy with a villainess more deliciously reprehensible than Cruella herself, and even more overdressed.… Read More »
TWO LOTTERY TICKETS (Doua lozuri)
In a puckish bit of self-reference, one of the characters in the Romanian comedy, TWO LOTTERY TICKETS, opines that Romania doesn’t make good movies anymore. They’re all doom and gloom, completely missing the essence of Romania. In his second film, Paul Negoescu sets out to change that single-handedly and does a tidy job of it.… Read More »
THE BOYS FROM COUNTY HELL
There is an air of Celtic melancholy running through the, ahem, deadpan humor of THE BOYS FROM COUNTY HELL. That touch elevates the, further ahem, stakes in this horror comedy that takes a few swipes at fraught family relationships, a sinking economy, and Bram Stoker’s relevance when a real vampire resurfaces. The supernatural is almost… Read More »
KEEP AN EYE OUT (Au Poste)
The French title of Quentin Dupieux’s latest film, KEEP AN EYE OUT, relies on a clever bit of wordplay in its two words, AU POSTE. One of the meanings of poste is police station, where the action takes place. Another is post, as in taking up one’s post. There are more, the translation of which… Read More »
THE SPONGEBOB MOVIE: SPONGE ON THE RUN
There has always been an archly hallucinogenic element to Spongebob Squarepants. I don’t mean the conceit of a sentient aggregate life form living in a pineapple under the sea. No, Spongebob has used it to tackle the existential from time to time while also being deliciously silly and being unapologetically full of heart. One need… Read More »
I BLAME SOCIETY
I’m not giving anything away to tell you the punch line in Gillian Wallace Horvat’s I BLAME SOCIETY. It’s a perfectly timed, and even more perfectly delivered explanation about the film her character made in the course of this vicious, and viciously funny satire: I’m sorry it didn’t meet your expectations, I didn’t make it… Read More »
THE CROODS: A NEW AGE
The animation in THE CROODS: A NEW AGE is just as lovely as it was in the original. As we find our cave family going through some changes, though, the story, while lively, has a distinctly mid-century sit-com vibe, and not just because that Partridge Family anthem, “I Think I Love You”, is on repeat… Read More »
THE TWENTIETH CENTURY
It’s possible that a working knowledge of Canadian culture and politics might annotate the sheer joy of watching Matthew Rankin’s THE TWENTIETH CENTURY, but a lack of same in no way diminishes it. This rapturously surreal romp through fascism, propaganda, and the perils of love delights in its arch embrace of retro-futuristic artifice and vintage… Read More »
BORAT SUBSEQUENT MOVIEFILM
Borat Sagdiyev, once the second-best journalist in Kazakhstan, makes a return trip to America in BORAT: SUBSEQUENT MOVIEFILM, and he finds a country not so much changed in its dynamics from his last visit, as one that is more extreme. The jokes are harsher, and in many cases funnier. And they need to be. Since… Read More »
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