It begins with Kristen Scott-Thomas, in stark black-and-white, answering her door, hair askew, elegance frayed, eyes wild. She points a handgun right at the camera.
EARLY MAN
Click here for the KMR interview with director/co-writer Nick Park. The filmmakers at Aardman have carved out for their studio a specific niche among animated films. Theirs is a humor that is sly, unafraid of a pun, and equally fearless in its embrace of the silly for the sake of silliness. It is a universe… Read More »
MOM AND DAD
The refrain of “I’ll kill you” or “My mom (dad) is gonna kill me” are a familiar part contemporary familiar discourse in even the most loving of homes. Writer/director Brian Taylor has taken that commonplace and spun a tale that is both wickedly twisted and unnervingly satisfying. The exactly proportions of those two feelings may… Read More »
FUTURE ’38
There is a dividing line for those contemplating a viewing of FUTURE ’38. It has to do with wordplay. If you love puns you will be charmed by the whole-hearted impudence of this self-conscious parody. If not, best to move along, though you will miss a fine excursion into dead-pan drollery. As premise, we have… Read More »
DAVE MADE A MAZE
The search for meaning has never been more puckishly considered than in DAVE MADE A MAZE, an ingenious horror-fantasy-comedy of existential angst. Rife with metaphor and deadly origami come to life, it finds the time-space continuum falling victim to one man’s determination to finally finish something he started, and explores the deadly results of leaving… Read More »
THE HITMAN’S BODYGUARD
In a way, it would be a shame to saddle Samuel L. Jackson and Ryan Reynolds with too much plot in THE HITMAN’S BODYGUARD. The snark fest that they provide as adversaries forced to endure one another’s company is its own reward as they travel from Manchester to The Hague while fending off some very… Read More »
THE LITTLE HOURS
Jeff Baena has taken as his inspiration Bocaccio’s Decameron for his sly gem of a film about female frustration and empowerment, THE LITTLE HOURS. That 14th-century book is full of bawdy tales of people from all stratas of society behaving badly, and so they do in this film set very specifically in 1347. Like the… Read More »
THE HOUSE
If anyone could have saved THE HOUSE, it would have been Amy Poehler and Will Ferrell. Theirs is a deliciously insouciant sense of comedy delivered with deadpan sincerity that can make the most of anything tossed their way. And so it is with THE HOUSE, a raggedly written story with a creaky plot that no… Read More »
LOST IN PARIS
The spirit of Jacques Tati is alive and well in LOST IN PARIS, a charming comedy of coincidences (or is it fate?). As stylized as it is heartwarming, it is an unexpected love story set against the magical backdrop of Paris, with every movement, from a roasted red pepper on the loose, to a love… Read More »
BAYWATCH
One comes away from BAYWATCH wondering many things, none of them good, one of them why Spongebob Squarepants had to be involved. Based on the television phenomenon that swept the world a few decades back, this cinematic leap is neither faithful to the original, nor is it a loving spoof of same. It fails to… Read More »
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