Rarely does a film make me want to plead to the heavens above (and even the denizens below) to make it stop. Just stop. Just stop the projection, turn up the lights, and let us all slink back to resume our regular lives as best we can after the Razzie-worthy trash we have endured. And… Read More »
JULES
JULES is a wise and gentle comedy-drama about the vicissitudes of aging and the balm of a really good listener. There’s also a UFO and its extra-terrestrial pilot thrown in for good measure. Gifted with three well-tempered performances by Ben Kingsley, Jane Curtin, and Harriet Sansom Harris, it takes a clear-eyed approach to the… Read More »
MEG 2: THE TRENCH
MEG 2: THE TRENCH is a wildly uneven effort, spending as it does most of its time as dud of an action drama and the rest as a rapturously unhinged action comedy. It is far more successful at the latter. Fortunately, star Jason Statham doesn’t let a creaky script (and that’s what we have here)… Read More »
INDIANA JONES AND THE DIAL OF DESTINY
And so we come full circle in the Indiana Jones saga as Indy once again faces the Nazis, this time while going in search of the Dial of Destiny. It’s a bittersweet farewell (unless it makes enough money to tempt all concerned with another installment), rife with complicated action sequences that don’t all succeed in… Read More »
ASTEROID CITY
Wes Anderson’s ASTEROID CITY presents us a dream within a dream as it ponders our place in the cosmos by setting its story in three separate realities that bump into each other the way subatomic particles swarm around an atomic nucleus. Is it synchronicity or chance or some other cosmic law of which humanity is… Read More »
BIOSPHERE
Click here to listen to the interview with director/co-writer Mel Eslyn. At the beginning of BIOSPHERE, the world as we know it has ended, leaving only two human beings left alive. They are Billy (Mark Duplass) and Ray (Sterling K. Brown), and they have gone from being the apex species on the planet to finding… Read More »
MAGGIE MOORE(S)
MAGGIE MOORE(S) is a nifty neo-noir that deftly plumbs the seeping corruption underlying the dull quotidian of a small southwestern city, trading the usual stark contrast between light and shadow for an oppressive sort of omnipresent sunlight that shows everything but reveals nothing. Beginning with a murder in a seedy motel parking lot, it flashes… Read More »
MAGIC MIKE’S LAST DANCE
Narrated with precocious prescience by a character too young to see the film on her own (or parts of the stage show within it at all), MAGIC MIKE’S LAST DANCE asks the age-old question, “What do women want?” This being a film about a preternaturally talented male stripper, the answer can only be a lap… Read More »
BABYLON
In BABYLON, Damien Chazelle has given us several films about the last hurrah of silent films and the birth of synchronized sound. Some of them are good, some of them are muddled, and one of them is superb. Chazelle’s ambitious attempt to encapsulate a time and place provokes respect for the effort, even when it… Read More »
THE GOOD HOUSE
Based on the novel of the same name by Ann Leary, THE GOOD HOUSE gives us a year in the life of Hildy Good (Sigourney Weaver), descendant of the first woman accused of witchcraft during the Salem witch trials, and the most successful realtor on Boston’s North Shore. She’s tough, smart, and her family’s financial… Read More »
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