It is the age old question, just because we >can< so something, does that automatically mean that we should? In the case of pitting an older Will Smith against a younger Will Smith courtesy of the slick visual effects in GEMINI MAN, the answer is a resounding no. Make that NO. The visual trickery that… Read More »
ALADDIN
The live-action version of ALADDIN does many things, including blurring the line between animation and live-action, not unlike the once and future AVATAR. It is more animation than live action and perhaps at some point there should be specific designation for cinematic efforts of this kind. But I digress. Most of what makes the film… Read More »
SUICIDE SQUAD
One is put in mind of Shakespeare. Sort of. Watching SUICIDE SQUAD, that is, and thinking that here we have a tale told by an idiot, full of sound and fury signifying much worse than nothing, signifying a major financial loss for its studio. Not to mention the time lost by the viewer. This irredeemable… Read More »
CONCUSSION
By comparing the National Football League’s reaction to medical evidence linking repeated head trauma by its players to long-term brain damage and that of the tobacco industry’s reaction to medical evidence linking cancer and cigarette smoking, CONCUSSION cleverly makes its case. If it were just a case for corporate greed, that would be disturbing enough,… Read More »
FOCUS Needs Some Adjustment
Glenn Ficarra and John Renqua have made some films that are close to my heart. BAD SANTA, I LOVE YOU PHILLIP MORRIS, CRAZY STUPID LOVE are movies that are funny and smart without resorting to schmaltz. Instead, they are subversive satires about human nature, and what happens when wide-eyed innocence meets conniving manipulator. The same… Read More »
HANCOCK
John Hancock (Will Smith) is not your typical superhero, and HANCOCK is not your typical superhero film. It is as daring and audacious as its eponymous hero, venturing into realms of mythos and sentiment with equal dexterity and erudition. It’s one of the funniest flicks out this summer. It’s one of the most romantic. It’s… Read More »
SEVEN POUNDS
SEVEN POUNDS is an ambitious film tripped up by its execution. Full of noble intent, and the brave choice to (mostly) eschew sticky sentimentality in favor of a more clinical approach to the issue of a man obsessed with death, alas, the result is a film that is for the first three-quarters of its running… Read More »
MEN IN BLACK 3
In MEN IN BLACK 3, the tone has shifted from one of hellzapopping fun to hellzappoping fun with a dollop of sentiment. It shouldnt work, but somehow it does. Not in the least because the script has a light touch when getting serious, and because Will Smith has some serious range. The premise is time… Read More »
AFTER EARTH
AFTER EARTH is a solemn, self-congratulatory flick showing all the symptoms of a vanity piece run amok. Based on a story devised by star Will Smith as a vehicle to launch 14-year-old son Jaden as an action star, it shows little internal logic while never giving the audience a reason to care about anything that… Read More »
MEN IN BLACK II
If you liked MEN IN BLACK, you will love MEN IN BLACK II because, and Im not exaggerating much here, it is EXACTLY THE SAME MOVIE. Its another tale of the super-secret agency whose agents, all male, even the dogs, wear sober black suits and keep the rest of us from finding out that not… Read More »