There is little of the old Guy Ritchie to be found in OPERATION FORTUNE: RUSE DE GUERRE. That Guy Ritchie delivered crackling editing, provocative visual impunity, and dialogue that burned with self-reflexive irony. They were films that all but defied gravity as they rushed headlong through their paces leaving audiences breathless and invigorated. I miss… Read More »
WRATH OF MAN
In WRATH OF MAN, we find Jason Statham and Guy Ritchie re-united in a film about the imperative of family values and the dangers of boredom. The result is a bloody wonderland of moral relativity and of an honor system that has nothing to do with Testaments Old or New. While is doesn’t give Mr.… Read More »
FAST AND FURIOUS PRESENTS: HOBBS AND SHAW
HOBBS AND SHAW is, occasionally, as clever as it thinks it is. Fueled by that cocksure attitude, a healthy dose of ironic self-awareness, and the undeniable star power of its three eye-candy leads, this spin-off from the Fast and Furious franchise is a pleasant enough diversion. The plot is strictly a perfunctory exercise involving a… Read More »
SPY
When I reviewed BRIDESMAIDS, I spent a great deal of my verbiage on Melissa McCarthy’s supporting performance. Rarely had I seen an actress, or actor for that matter, so fearless, so sure of him- or herself, and with such a preternatural gift for discovering humor in the most unexpected places. She was nominated for an… Read More »
DEATH RACE
DEATH RACE takes the stock characters of the more pedestrian action flicks and folds them nicely into a story that is interesting for more than the number of cars and people that go crunch before bursting into flames. Based on the kitsch classic by Roger Corman from the 1970s, it has been adapted by Paul… Read More »
MECHANIC, THE
THE MECHANIC is slick, stylish, and fun. In short, everything for which an audience turns to an action flick for a few hours of escapist entertainment. Jason Statham again proves that he is the quintessential genre protagonist: cool, efficient, with an ironic edge and credibly cerebral. This last is critical, inasmuch as he is a… Read More »
KILLER ELITE
Though inspired by actual events, and based (loosely) on an actual book, The Feather Men by Sir Ranulph Fiennes, THE KILLER ELITE is a vehicle expertly tailored to the particular talents of Jason Statham. This is, in itself, not an indictment. Mr. Statham has starred in high-adrenaline action flicks that are more than worthy of… Read More »
SAFE
SAFE is not a bad film, nor is it a particularly good one. It is, however, a Jason Statham film, which means that while the story is predictable and the direction is competent but unremarkable, it has a star who can almost, but not quite, toss the flick on his brawny shoulders and carry it… Read More »
PARKER
Patton Oswalt once opined that Jason Statham can make any movie better. He is not wrong. For those who have succumbed to Mr. Stathams particular appeal as a cool and deadly action hero, his charisma is an umbrella over the rougher patches of all but the most cretinous scripts. In PARKER, he has found a… Read More »
THE EXPENDABLES 3
To say that THE EXPENDABLES 3 is the best installment of the franchise is sort of like saying that having hayfever is better than contracting bubonic plague. Theyre both unpleasant, but one is infinitely preferable, not to mention survivable, than the other. Theres also the fact that the former is caused by posies (as well… Read More »