It is well worth overlooking the historical inaccuracies to be found in FLY ME TO THE MOON. I’m not talking about the conspiracy theories about how the first moon landing was faked on a soundstage. This bright and breezy look at what may or may not have really happened has dedicated itself to the emotional,… Read More »
DRIVE-AWAY DOLLS
DRIVE-AWAY DOLLS may be another proof of the universe’s entropy. You know, the rule that posits everything is slowly devolving into a state of disarray and incoherence. Or something along those lines. This effort by Ethan Coen certainly shows flashes of the oddball genius of the films he made with his brother, Joel, but the… Read More »
MAGIC MIKE’S LAST DANCE
Narrated with precocious prescience by a character too young to see the film on her own (or parts of the stage show within it at all), MAGIC MIKE’S LAST DANCE asks the age-old question, “What do women want?” This being a film about a preternaturally talented male stripper, the answer can only be a lap… Read More »
GODZILLA VS. KONG
If there were special awards for truth in advertising when it comes to movie titles, GODZILLA VS. KONG would sweep them. Essentially, that is all there is to this extravagant spree of special effects and occasional camp. The plot, and there is a great deal of it, is completely subservient to upping the ante when… Read More »
LIVE BY NIGHT
LIVE BY NIGHT is so sumptuously photographed that it can almost make up for its shortcomings. Based on the novel of the same name by Dennis Lehane, it has weathered its translation by becoming a slight story heinously overblown. It also suffers from too many false endings. So many, in fact, that I can’t vouch… Read More »
3 1/2 MINUTES, 10 BULLETS — Marc Silver Interview
One of Marc Silver’s primary reasons for making 3 1/2 MINUTES, 10 BULLETS, was to humanize a statistic. In this case, a young black man, Jordan Davis, killed in an altercation over loud music. The case became notorious because of that reason, providing a catchy hook to media coverage, not because of the tragic loss of… Read More »
DIRTY GRANDPA
We will commence with the flensing of DIRTY GRANDPA momentarily. Before we begin, though, a brief summary of the plot of Mel Brooks’ THE PRODUCERS. In that film, more the original rather than the musical remake, we were delighted by the inspired but appalling behavior of producer Max Bialystock and Leo Bloom, his hapless accountant turned… Read More »
BIG TROUBLE
BIG TROUBLE, you might recall, was pulled from its original fall 2001 release because of the incidents of 9/11. The film’s finale features a plane hijacking and a really big bomb. Releasing it then would have been so far beyond wrong that a whole new circle would have had to be added to Hell order… Read More »
SPRING BREAKERS
What is most interesting about Harmony Korine’s SPRING BREAKERS is the way it turns its imagery on its head while revealing harsh truths about the hollowness of American pop culture. Though the camera revels in shots of decadent excess, it never quite reduces them to mere cheap exploitation. Instead, by the end of this anti-fairy… Read More »
Dennis Farina Embraces BIG TROUBLE
Dennis Farina is a class act. He also has a wicked sense of humor, which explains why he is does comedy so well. Before becoming an actor, he served for many years on the Chicago police force, a background that can’t help but keep the glitter of Tinseltown in perspective. I spoke with Farina on his birthday, February 29, 2002. The conversation ranged… Read More »