There is one wildly funny sequence in FAILURE TO LAUNCH, an otherwise pallid and predictable slog. That it features the supporting players and a bird rather than stars Sarah Jessica Parker and Matthew McConaughey is emblematic of where this film went so very, very wrong. Parker plays Paula, a professional interventionist hired by concerned parents… Read More »
V FOR VENDETTA
This is a dangerous film. Based on the graphic novel of the same name by Alan Moore and David Lloyd, V FOR VENDETTA is a medieval mystery play re-imagined for the 21st century and spiffed up with some nifty, but not overbearing, special effects. A political thriller enhanced with a healthy dose of both fantasy… Read More »
SHE’S THE MAN
The only thing worth noting in SHE’S THE MAN, the latest vehicle for ‘tween idol Amanda Bynes, is how completely free of anything resembling competence that is exhibits. And yet is has the temerity to proudly proclaim in its opening credits that it was inspired by Shakespeare’s “Twelfth Night”. As for any actual similarity between… Read More »
SLITHER
SLITHER doesn’t just embrace the cheesy goofiness of those B-grade horror films from the middle of the last century, it also gives them a big wet sloppy French kiss. Taking what is so endearing about the ineptitude, it tweaks the bad dialogue and worst plot points, turning them into an homage to bad cinema that… Read More »
ICE AGE 2 — THE MELTDOWN
Sometimes there is a piquant irony to be relished even with a bad film that, if it doesn’t save the movie going experience, still gives one something to ponder while enduring the running time. In ICE AGE 2: THE MELTDOWN, it’s the contrast with another film that dealt, however briefly with the same theme. That… Read More »
BASIC INSTINCT 2
It is said that the reason there were so many years between the first BASIC INSTINCT and its sequel is that Sharon Stone was waiting for just the right script to do justice to her character, Catherine Trammell, the novelist and putative murderess of the original. She didn’t wait long enough. And judging by the… Read More »
BRICK
There is in seeing Rian Johnson’s neo-noir, BRICK, the sense that this is not just a startlingly original, wholly engrossing, and brilliantly plotted piece of work. There is the sense that it is nothing less than a flawless masterpiece made all the more remarkable for being Johnson’s maiden cinematic effort. The idioms of the noir… Read More »
THE SENTINEL
Not to be confused with the horror flick from the 70s, THE SENTINAL is a competent enough mystery/thriller set in the fractious world of White House protocols and security. It’s most interesting aspect, though, may be that while Michael Douglas might have been hired for the star power he could bring for a good opening… Read More »
AMERICAN DREAMZ
Click here to listen to the interview with Paul Weitz (8:06).The carefully orchestrated public persona of politics and the carefully orchestrated “reality” of reality television come in for a timely comparison in Paul Weitz’s AMERICAN DREAMZ. Nothing and no one is off limits in this barely veiled shot at pop culture, world politics, and the allure… Read More »
SILENT HILL
I’m going to do something that I usually try very hard to avoid in a review. I’m going to plop a spoiler into it. Not only that, I’m going to do it in the very first paragraph. I’m going to do it for two reasons. One, it’s integral to the bitch slap I’m about to… Read More »
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