It’s nice to know that Liam Neeson, now aged 72, has found another franchise, one which utilizes a whole new particular skill set, but one that does not force him into the rigors of a standard action flick. In THE NAKED GUN, a reboot of the POLICE SQUAD films without any of the original writers… Read More »
THE FANTASTIC 4: FIRST STEPS
It is with no small measure of relief that I am able to say Marvel’s THE FANTASTIC 4: FIRST STEPS finally succeeds in bringing one of my childhood favorites to the screen. This iteration centers itself on the lively dynamics of the Richards-Storm-Grimm clan of biological and logical family such that the quartet’s greatest superpower… Read More »
SUPERMAN (2025)
SUPERMAN starts out wobbly, tasked as its first act is with as much exposition as might be found in a film exploring Superman’s origin story. Yet, like the Man of Steel himself, James Gunn wrenches his film from its tailspin and then zips it into a fine superhero tale full of action, thrills, nifty CGI,… Read More »
JURASSIC WORLD: REBIRTH
Right at the beginning of JURASSIC WORLD: REBIRTH there is a hint that this is a break from the increasingly lackluster sequels to which we have been subjected. It is the moment when we see that Zora Bennett (Scarlett Johansson), the upbeat mercenary of the piece, is recruiting paleontologist Dr. Henry Loomis (Jonathan Bailey) for… Read More »
F1: THE MOVIE
F1: THE MOVIE teaches us that it’s not the Grail, as the old saying goes, it’s the quest. In this case, the natural high that Sonny Hayes (eminently likable Brad Pitt) experiences when he drives a race car. Amid the mild melodrama and occasional predictability of the script, the film as a whole delivers on… Read More »
THE KARATE KID: LEGENDS
There are many montages in THE KARATE KID: LEGENDS. So many montages. Training montages. Hanging out montages. More training montages. Montages of flashbacks with narration. Montages of montages of flashbacks. As irksome as it is, it has the virtue of symbolizing the raison-d’etre of this sequel to a sequel to a reboot of a remake.… Read More »
MISSION IMPOSSIBLE: THE FINAL RECKONING
MISSION IMPOSSIBLE: THE FINAL RECKONING feels just a little too long, but that’s okay. It’s as though all involved were not quite ready to say goodbye in what may or may not be the last foray by Tom Cruise as Ethan Hunt. To be honest, neither are we, and by we, of course, I mean… Read More »
THUNDERBOLTS: THE NEW AVENGERS
Among the many laudable things to be found in THUNDERBOLTS: THE NEW AVENGERS is the best exploitation of the natural consonance to be heard in the name Bob since Jim Jarmusch’s DOWN BY LAW (look it up, you won’t be sorry). In addition, what we have here is a big, splashy superhero flick that doesn’t… Read More »
DROP
DROP is truly remarkable for being such a well-crafted thriller until suddenly it’s not. And in such a way that all the good that comes before, of which there is much, self-destructs so thoroughly that it becomes not just irksome but also insulting. And this is a shame for everyone involved. Before we get to… Read More »
THE AMATEUR
Click here for the flashback interview with director James Hawes for ONE LIFE. We’ve been here before. The original iteration of THE AMATEUR hit cinemas in 1981 when the Soviet Union was menacing the peace and security of the world. In the 2025 iteration, set in the present day, has had to find another menace… Read More »
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