If you are a Wiliiam Shater fanboy or girl, SENIOR MOMENT is the flick you’ve been waiting for. As an aging Lothario with a kooky sidekick (Christopher Lloyd), he oozes the Shatner brand of charm while skating through a predictable story about how Peter Pan finally grows up. He plays Victor, a senior citizen in… Read More »
CHAOS WALKING
CHAOS WALKING is a somber affair told in muddy earth tones and moribund action. Based on the book The Knife of Never Letting Go by Patrick Ness, it presents New World in the year 2257, a distant planet colonized by religious humans who have brought with them much of what they should have left back… Read More »
A GHOST WAITS
While it is tempting to think of A GHOST WAITS as merely one of the best love story involving a ghost since THE GHOST AND MRS. MUIR, there is a great deal more going on director/co-writer Adam Stovall’s witty, cinematically rich, yet philosophically dense effort. At the risk of being accused of overthinking it, one… Read More »
WILD MOUNTAIN THYME
John Patrick Shanley’s WILD MOUNTAIN THYME, based on his play Outside Mulligan, is a charmer of an Irish muddle. Committed in its gentle eccentricity, it essays to find the mythic in the quotidien and darn near pulls it off. At least sly humor abounds as the determined Rosemary (Emily Blunt) pines for Anthony (Jamie Dornan)… Read More »
LAST CHRISTMAS
LAST CHRISTMAS is a lugubrious exercise in muddled storytelling. Billed as a romantic comedy, there is little humor to be found as the romance between a klutz who’s lost her way in life, and the handsome stranger who pops in and out of that life fails to ignite past the infamous friend zone. The klutz… Read More »
THE OTTOMAN LIEUTENTANT
THE OTTOMAN LIEUTENANT is a slight but eminently humane story, lushly filmed, and richly romantic. It follows the classic tropes of the romance genre, enhanced with nuanced performances that elevate what might otherwise be stock characters in a plot with few surprises. The biggest surprise being that it is so satisfying as entertainment, and as… Read More »
THE WATERMELON WOMAN
(Written on the initial release of THE WATERMELON WOMAN 20 years ago,). The opening sequence of THE WATERMELON WOMAN gives us a sly look at the social state of American affairs. An African-America lesbian is filming a heterosexual wedding. The bride is white, the groom is black and the wedding party is oh so very civilized.… Read More »
PASSENGERS
PASSENGERS is a long, increasingly preposterous slog whose most tantalizing element is the question of why Jennifer Lawrence looks so very much like a young Renee Zellweger in some shots. Has there always been such a striking resemblance, or is it that this film is so tedious and predictable that one has the time to… Read More »
THE HANDMAIDEN (Ah-ga-ss)
Based on Sarah Water’s novel Fingersmith, Chan-Wook Park’s THE HANDMAIDEN hornswaggles its audience with its opening scenes, and then continues on for its running time to continually confound, shock, and gratify that same audience. Told in four separate chapters that each covers roughly the same action, reality becomes a series of preconceived notions that are… Read More »
THE DIVERGENT SERIES: ALLEGIANT
As is the wont with these franchises based on young adult novels, THE DIVERGENT SERIES: ALLEGIANT, the third in the series, begins where the last one left off. No flashback montage, no character narration bringing us up to date. Instead, there’s just a quick reminder that Jeanine is dead, and that everyone on screen is… Read More »