LONDON ROAD brilliantly uses the unreality of ordinary people breaking into song to evoke the unreality of a serial killer on the loose on the otherwise unremarkable eponymous street in the otherwise unremarkable small town of Ipswich, England. Based on the Royal National Theatre production, original cast intact, that was, in turn, based on the… Read More »
THE AMERICAN SIDE
Click here to listen to the interview with filmmaker Jenna Ricker. Going over Niagara Falls in a barrel isn’t the most dangerous thing Charlie Paczynski (co-writer Greg Stuhr) faces in THE AMERICAN SIDE. Pasczynski is a low-rent private eye working the seamier side of Buffalo, New York, where Niagra falls and both honeymooners and suicides… Read More »
NOW YOU SEE ME 2
The best caper films keep us guessing even while we’re watching the caper in progress. In that way, NOW YOU SEE ME 2 succeeds admirably. The return of the The Horsemen, a band of underground magicians dedicated to truth, justice, and outsmarting everyone around them, including each other, provides several set pieces that are fine… Read More »
MARK OF THE WITCH
If Jason Bognacki had focused his undeniable give for arresting visuals while making MARK OF THE WITCH (aka ANOTHER), he would have made a poetically disturbing film about the sins of the parents being visited on their children. Instead, he has cobbled long swaths of irksome exposition into a horror film that grows tedious before… Read More »
THE ONES BELOW
There is definitely someone going crazy in THE ONES BELOW, and the wonderful thing about this astringent tale of mystery and suspense is that we have few doubts about who it is. The key word is few. Two couples who have layers, which may or may not be camouflage, experience tragedy, resentment, joy, and childbirth,… Read More »
THE NICE GUYS
Shane Black has the gift of making films that are nail-bitingly suspenseful and wickedly funny at the same time. He did it with KISS KISS BANG BANG, and he’s done it again with THE NICE GUYS, a stylishly acerbic and decidedly hard-boiled neo-Noir pitting nihilism against idealism during the candy-colored decadence of 1977 Los Angeles.… Read More »
TOO LATE
Kierkegaard, noted Existentialist and proto-Absurdist, once opined that life can only be understood backwards; but it must be lived forwards. As a cinematic exploration of the tragic and comedic implications of that, there is Dennis Hauck’s wistful neo-Noir, TOO LATE, a film that employs a strategic insouciance as it nimbly plays with the time/space continuum… Read More »
THE WITCH
The true horror in THE WITCH does not lie in its supernatural underpinnings. Rather this dour psychological thriller plumbs the depths of madness that human nature invites upon itself with a closed mind and a conviction of righteousness. Set in a New World colony in the early 17th century, it is an incisive deconstruction of… Read More »
REGRESSION
Alejandro Amenábar directed Nicole Kidman to one of her best performances in THE OTHERS, a horror film that was both haunting and clever. The full review of that fine film is here, and I recommend watching that instead of REGRESSION, a film that is equally atmospheric, but diffused in its mounting terror, rather than sharply… Read More »
STRANGER BY THE LAKE
There is no getting around the prurient interest that STRANGER BY THE LAKE evokes. Set entirely on the rocky shore of the titular lake, it teems with beautiful young men madly in lust both with each other and with being in a state of nature. It is the stuff of porn flicks and of classical… Read More »