At one point during Rian Johnson’s GLASS ONION, one of the character wails “What is reality?” It’s a fair question considering the plot twist that has just been revealed to the suitably colorful cast of characters, and one that neatly sums up why Mr. Johnson’s second installment in the casebook of Benoit Blanc (Daniel Craig)… Read More »
KNIVES OUT takes a brisk pace with its cinematic legerdemain as its cast expertly calibrate their performances so that arch never strays into the certain disaster of becoming artificial. The result is a giddily entertaining, emotionally engaging film that sets a new standard for its genre, and, if there is any justice, will launch the Benoit Blanc franchise.
Good and evil are inextricably entwined in STAR WARS: THE LAST JEDI. It makes for a pleasing metaphysical subtext to a film with spectacular action sequences, pointed references to the political economics of the class struggle, and a character in Benicio Del Toro whose nihilism carries with it a whiff of Zen philosophy at its… Read More »
The successful con is the one where everyone gets what they want. Its a statement that is profound in its simplicity. The same is true of THE BROTHERS BLOOM, where the premise is postulated and then proven with a deceptively simple plot that hides in plain sight. The brothers in question are Stephen (Mark Ruffalo)… Read More »
There is in seeing Rian Johnson’s neo-noir, BRICK, the sense that this is not just a startlingly original, wholly engrossing, and brilliantly plotted piece of work. There is the sense that it is nothing less than a flawless masterpiece made all the more remarkable for being Johnson’s maiden cinematic effort. The idioms of the noir… Read More »
The sign of a great film is not just the story it tells. Its the way that story is told, with an attention to the tiniest detail that makes each second of screen time, the tiniest bit of action part of a whole that is holographic. Each element is a reflection of that whole that… Read More »