Click here for the flashback interview with James McAvoy and Joe Wright for ATONEMENT. Years from now, Dennis Kelly’s TOGETHER will be an integral part of future generations understanding the zeitgeist of the COVID-19 pandemic. It will be an excellent reminder, too, for those of us who lived through that pandemic, after time and subsequent… Read More »
THE NIGHT HOUSE
In THE NIGHT HOUSE, star/producer Rebecca Hall dares to give us a female protagonist who does not ask us to like her. In fact, she all but dares us not to. Yet, in a brilliant performance that combines pain and vitriol, she makes us empathize with a new widow who may or may not be… Read More »
THE HITMAN’S WIFE’S BODYGUARD
When last we saw ex-Triple A rated bodyguard Michael Bryce (Ryan Reynolds), he had succeeded in getting notorious hitman Darius Kincaid (Samuel L. Jackson) to the Hague to testify against a genocidal dictator (Gary Oldman). He had also taken a bullet for Darius, which is part of a bodyguard’s job. It would have been better… Read More »
THE EDGE OF THE WORLD
Based on the remarkable life of James Brooke, EDGE OF THE WORLD is an introspective film about how an Englishman became the Raja of Sulawak. Such was his fame in Victorian England that Joseph Conrad used him as the model for the title character in his novel, Lord Jim, and rich women proposed marriage to… Read More »
THE CONJURING: THE DEVIL MADE ME DO IT
It is the way of franchises that, with a few notable exceptions, they sequel themselves into diminished returns that eventually test even the most ardent fans. And so it is with THE CONJURING: THE DEVIL MADE ME DO IT, a pale reminder of what we loved about the original, with no actual reason to love… Read More »
CAVEAT
Click here for the interview with writer/director/editor Damian McCarthy. CAVEAT is a small masterpiece of mood and atmosphere. A southern gothic transplanted to a remote island somewhere off the coast of Ireland without losing anything in the cultural translation, it is all about suggestion and quick cuts showing what may or may not be externalization… Read More »
CRUELLA
It’s somewhere In the third act that CRUELLA goes from being a frothy Disney confection to a Guy Ritchie knock off. Until then, this origin story about the woman who wanted to turn 101 dalmatians into outer wear is pure eye candy with a villainess more deliciously reprehensible than Cruella herself, and even more overdressed.… Read More »
DREAM HORSE
DREAM HORSE is the heartwarming and uplifting film that is sets out to be. Unpretentious as the working class folks that this based-on-actual-events story celebrates, it tells the classic underdog story of the race horse that evokes sneers from professionals and aristocrats before he puts them all in their places. If it sounds formulaic, it… Read More »
WRATH OF MAN
In WRATH OF MAN, we find Jason Statham and Guy Ritchie re-united in a film about the imperative of family values and the dangers of boredom. The result is a bloody wonderland of moral relativity and of an honor system that has nothing to do with Testaments Old or New. While is doesn’t give Mr.… Read More »
THE BOYS FROM COUNTY HELL
There is an air of Celtic melancholy running through the, ahem, deadpan humor of THE BOYS FROM COUNTY HELL. That touch elevates the, further ahem, stakes in this horror comedy that takes a few swipes at fraught family relationships, a sinking economy, and Bram Stoker’s relevance when a real vampire resurfaces. The supernatural is almost… Read More »
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