It’s not that THOR: LOVE AND THUNDER is unwatchable. Quite the contrary. The special effects are stupendously unrestrained. The story is adorable, leaning towards a good-natured spoof of superhero movies as practiced in the 2020s. The performances can’t be faulted, even if Christian Bale as the god-hating ex-acolyte out for revenge is far darker, and… Read More »
ELVIS
It’s the moment when Elvis (Austin Butler) first asserts his independence from the tentacled hold that his manager, Col. Tom Parker (Tom Hanks) has, and, alas, will always have on him. Elvis at this point in his nascent career has been labeled a threat to the American way of life in the conformist 1950s onto… Read More »
GODZILLA VS. KONG
If there were special awards for truth in advertising when it comes to movie titles, GODZILLA VS. KONG would sweep them. Essentially, that is all there is to this extravagant spree of special effects and occasional camp. The plot, and there is a great deal of it, is completely subservient to upping the ante when… Read More »
CRYPTOPIA: BITCOIN, BLOCKCHAINS AND THE FUTURE OF THE INTERNET
A lively, cinematic page-turner of a documentary, CRYPTOPIA: BITCOIN, BLOCKCHAINS AND THE FUTURE OF THE INTERNET, takes us on a rollicking journey through the history of Bitcoin: its detractors, its disciples, and its philosophers.
KILLING GROUND
The end of a relationship is always poignant. Be it an impulsive move made by one person that changes the dynamic forever, or a bullet to the head at close range, the finality is a moment is a time of reflection on the past, and a pondering of the future. The solidly made little horror… Read More »
ALIEN: COVENANT
ALIEN COVENANT is a mixed bag. As a horror movie, it is unimpeachable, adding an extra self-refractive layer of pleasure to an audience that knows exactly what is lurking there in the giant deserted spaceship that our intrepid space colonists discover. As a vehicle for advancing the meta-story of the Alien franchise, it is far… Read More »
HACKSAW RIDGE
Mel Gibson’s HACKSAW RIDGE begins with a quiet shot looking down (from heaven?) on corpses. They are horrific, with bits missing and gore everywhere. It’s a moment that will quickly give way to the battle of Okinawa that made them. Bodies ripped by bullets falling to the ground, others engulfed in flames running in panic.… Read More »
GODS OF EGYPT
The ancient Greeks preached moderation in all things, and while GODS OF EGYPT is set in that ancient land, not the Peloponnese, I was put in mind of that advice. This is a film of craven excess in all things except what would have helped most: a good script. For two hours or so, we… Read More »
CONCUSSION
By comparing the National Football League’s reaction to medical evidence linking repeated head trauma by its players to long-term brain damage and that of the tobacco industry’s reaction to medical evidence linking cancer and cigarette smoking, CONCUSSION cleverly makes its case. If it were just a case for corporate greed, that would be disturbing enough,… Read More »
TRUTH
James Vanderbilt’s TRUTH is a careful, disturbing dissection of the triumph of style over substance, flash over facts, insinuated itself, and then took over, television news. Based on the book Truth and Duty: The Press, the President, and the Privilege of Power by Mary Mapes, it examines that moment in history when the eponymous truth… Read More »