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THE PERSONAL HISTORY OF DAVID COPPERFIELD

August 26, 2020 By Leave a Comment

Armando Iannucci, a man possessing a preternatural gift for telling serious stories with a puckish twist, has taken on the classic Dickens tale of David Copperfield, and infused it with sparkling new life while remaining true to the original’s spirit. After all, despite his sometimes cloying sentimentality, Dickens spared his readers nothing when describing the… Read More »

Tagged With: 19th century, book to screen, Charles Dickens, colonialism, color-blind casting, England, imperialism, literature, social commentary

THE DEAD DON’T DIE

June 14, 2019 By Leave a Comment

THE DEAD DON’T DIE

THE DEAD DON’T DIE takes the tropes, idioms, and beloved foibles of low-budget zombie flicks and, with a skillful flick of its auteur’s cinematic wrist, recontextualizes them into a stylized gloss on the new normal of 2019.  Certainly the “Make America White Again” ball cap sported by the most reviled citizen (Steve Buscemi) of sleepy… Read More »

Tagged With: homage, horror, police, small town, spoof, undead, zombies

AVENGERS: ENDGAME

April 26, 2019 By Leave a Comment

AVENGERS: ENDGAME

The stakes have been raised so many times with event flicks that, when approaching one, hope is always tempered with experience about what to expect, to paraphrase Samuel Johnson. With AVENGERS: ENDGAME, though, hope wins out. The spectacle is everything it should be, and the story, of necessity a meandering thing, is nonetheless sustained by… Read More »

Tagged With: Marvel Universe, MCU, sequel, superhero, time travel

DOCTOR STRANGE

November 4, 2016 By Leave a Comment

DOCTOR STRANGE

DOCTOR STRANGE you ask? Let me sum up the latest cinematic offering from Marvel Comics in one word: spectacular.  From a whiz-bang opening sequence where space folds in on itself as combatants hurl magical fire at on another, to the charismatic, ahem, marvel that is Benedict Cumberbatch in the title role, this action film is… Read More »

Tagged With: car accident, immortality, magic, Marvel Comic book character, Marvel Comics, multiverse, mystic arts, Nepal, neurosurgeon

HAIL, CAESAR!

February 5, 2016 By 1 Comment

HAIL, CAESAR!

If Douglas Sirk had directed a film noir written by Billy Wilder, it might have looked something like HAIL, CAESAR!, the latest thoughtful tangle of philosophy and whimsy from the Coen Brothers. Taking place in a 1951 Hollywood not entirely unlike the one that actually existed, it mixes Cold War paranoia, carefully managed studio PR… Read More »

Tagged With: aquatic ballet, biblical epic, choreography, film business, Hollywood, kidnapping, studio fixer, studio system

Amy Schumer is No TRAINWRECK

July 21, 2015 By 2 Comments

Amy Schumer is No TRAINWRECK

Turning gender roles neatly on their heads, Amy Schumer has created a screwball comedy of considerable substance. Taking sure aim at the abomination of the formula rom-com, she satirizes not just the genre, but the state of contemporary single-hood. Starring in a script of her own devising, she is fearless, relentless, and completely unapologetic as the titular hot mess, also named Amy, with commitment issues and a healthy libido.

Tagged With: Amy Schumer, comedy, debauchery, father-daughter relationship, homelessness, narrative, rom-com, satire, sister relationship, social commentary

TEKNOLUST

October 21, 2014 By Leave a Comment

One of my favorite lines in Lyne Hershman-Leeson’s TEKNOLUST concerns the side effects of knowledge. They’re dangerous because they’re unpredictable. Once you learn something, paradigms shift, assumptions evaporate, and you’re forced to look at the world in a whole new way and maybe even re-think your whole life. Scary stuff.  The film ponders the nature… Read More »

Tagged With: clones, romance, sex, virus

THE STATEMENT

October 21, 2014 By Leave a Comment

Conspiracy buffs will enjoy THE STATEMENT more than just about any other sort of moviegoer. For the rest of us, this story about a Frenchman who collaborated with the Nazis during World War II fails as the thriller that the filmmakers may have had in mind. It is, rather, more along the lines of a… Read More »

YOUNG ADAM

October 21, 2014 By Leave a Comment

There is no one actually named Adam in YOUNG ADAM, based on the novel by 50s Brit Beat Alexander Trocchi. Its use is open to interpretations, biblical and other. Make of it what you will, but be prepared for a harsh, yet mesmerizing dissection of the way morality is often lived rather than how it is always… Read More »

CONSTANTINE

October 21, 2014 By Leave a Comment

I can see where CONSTANTINE, based on the graphic novel “Hellblazer”, might have seemed like a good idea for a movie. Good versus evil on a cosmic scale, special effects whipping across the screen with a wild abandon not unlike the whirlwind to be found in the second circle of Hell, and a cynical anti-hero… Read More »

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