And so it is our last visit to Middle Earth, and a bittersweet one it is. Peter Jackson’s finale to his pair of trilogies is a triumph of spectacle and humanity, notwithstanding that the human beings of the piece are not the main characters. It’s only flaw, and that is a relative one, is that… Read More »
LORD OF THE RINGS, THE — THE TWO TOWERS
The first thing you have to know about THE LORD OF THE RINGS THE TWO TOWERS, the second installment of director Peter Jacksons masterful translation of J.R.R. Tolkiens modern classic of mythology, is that you will be lost if you havent seen the first installment, THE FELLOWSHIP OF THE RING. The action picks up… Read More »
LORD OF THE RINGS: RETURN OF THE KING
Before we get to the business of reviewing LORD OF THE RINGS: THE RETURN OF THE KING, let’s take a moment to marvel at the fact that Peter Jackson persuaded a studio, New Line, to give him not only the money, but also the free hand to bring this trilogy to the screen while remaining… Read More »
ASYLUM
For a big chunk of ASYLUM, Natasha Richardson wears a shade of lipstick that is just a hair’s breadth off of being the right color for her. It’s emblematic of the film as a whole, which misses the mark when it comes to its stated purpose of delving into the madness and mystery of passion.… Read More »
THE DA VINCI CODE
The book by Dan Brown on which THE DA VINCI CODE is based will never be mistaken for a work of genius. It is not a work for the ages, but rather fills the guilty pleasure niche in the literary food chain. It’s a fast read with an intriguing premise where a great deal happens… Read More »
X-MEN: THE LAST STAND
Oh how the mighty have fallen. X-MEN: THE LAST STAND is the third installment in what until now has been a sterling franchise and its failings are an affront to what has come before. To be sure, the fine philosophical underpinnings, one of the series’ hallmarks, are still there, but with a new director, Brett… Read More »
FLUSHED AWAY
FLUSHED AWAY is the rude title of a sometimes rude film, but one that unswervingly hews to an ebullient sense of whimsy. Whimsy is its birthright, this being first-ever CGI Aardman effort, they of Wallace and Grommit fame. Fear not, it uses special software to deliberately include the sorts of imperfections that are inherent in… Read More »