THEO WHO LIVED — David Schisgall Interview


THEO WHO LIVED is a story of the remarkable empathy its subject, American journalist Theo Padnos, found for the captors who tortured him after being kidnapped in Syria in 2012.  David Schisgall’s sensitive, heart-wrenching documentary about Theo, like Theo himself, finds the humanity in everyone. Preferring to see people as individuals rather than stereotypes, it’s… Read More »


Full disclosure, I was not a fan of OLYMPUS HAS FALLEN, the previous film exploring the victim/savior relationship between President Benjamin Asher (Aaron Eckhart) and crack Secret Service agent Mike Banning (Gerard Butler).  Thus, I was not hoping for much when I approached LONDON HAS FALLEN. The trick to staying sane in this business is… Read More »

Brian Sloan has A WTC VIEW

WTC VIEW was the first play from The New York International Fringe Festival to make the leap to the big screen in 2005, but playwright Brian Sloan resisted the temptation to fundamentally change the nature of his play by opening it up beyond the one apartment in which it takes place. The metaphor of a… Read More »


A MOST WANTED MAN evokes the best of the Cold War thrillers of the 1960s. Hardly a surprise, considering it’s based on a novel by the master of that genre, John  le Carre. Directed with that genre’s same sense of understated, but lethal, suspense borne of uncertainty by Anton Corbijn it updates the action from… Read More »


THE WAR WITHIN charts a different sort of territory in its examination of the psychology of suicide bombers. Its protagonist, Hassan(co-writer Ayad Akhtar), isn’t a refugee, isn’t psychotic, isn’t an extremist of any kind, and far from living a hopeless existence with no future and a murky past, he’s cosmopolitan, well-educated, and more western than… Read More »


THE WAR WITHIN deserved a lot more attention than it got when it was released last year. This brave film took on complex issues surrounding suicide bombers and the radicalization of moderate Muslims without pandering to any special interest group. Instead, it trusted to an intelligent, compassionate script with a searing message and no easy… Read More »



In a here-and-now where the primacy of children is given ample lip service by proponents of any and all social issues, it is refreshing, and not a little thought-provoking, to see in Alfonso Cuaron’s CHILDREN OF MEN, based on the P.D. James novel of the same name, a world in which this is actually the case.… Read More »