I can’t fathom why when END OF WATCH was so dynamic, David Ayers directorial follow-up, SABOTAGE, is so inert. Where END OF WATCH had depth and energy, SABOTAGE is is rambling, and at times incongruous, as it unspools a set of stock characters dithering about in a cesspool of rubbery ethics and dogged determination. Perhaps… Read More »
NARC
NARC begins intensely with a narc’s-eye view of a bust gone bad. Everything happens too quickly and there is no time to focus on any one event, from the killing of a bystander to the killing of the perp as he attempts to take a toddler hostage, to the shooting of the toddler’s pregnant mother.… Read More »