RADIO is a film that screams “Feel good film of the season” and, well it is. The nice thing about this warm and cozy film about a mentally challenged man finding acceptance with a high school football team is that it doesn’t try too hard. The score may be overwrought, but writer Mike Rich and director… Read More »
THE COMPANY
The thing about Malcolm McDowell is his charisma that permeates without overpowering. Even in the small dollops of screen time afforded him in Robert Altmans THE COMPANY, he is undoubtedly the star, the fixed point about which the film revolves. And rightly so. He plays Aberto Antonelli, the artistic director of the eponymous company, The… Read More »
ELF
ELF is a film thats easy to like despite some shortcomings. Will Ferrell is seriously funny as a stranger in two very different strange lands, and its classic Christmas message of glad tidings and love all around is affecting while not falling into the sugar plum trap of terminal sappiness. Our hero is Buddy (Ferrell),… Read More »
IN THE CUT
IN THE CUT is not just a bad film, it is a laughably bad film. This would-be erotic thriller wants to discomfit us by delving into the psychological underpinnings of sex and violence and yet succeeds only in making us feel sorry for the people who tried so hard and came up with bupkis. One… Read More »
BROTHER BEAR
You can’t fault Disneys latest animated film, BROTHER BEAR, for the message it wants to send to all the kiddies out there. That would be a philosophy of respect for all nature’s creatures and of taking responsibility for your own actions are both worthy lessons. Alas, the execution is 90% generic and 100% unfunny. The story… Read More »
MASTER AND COMMANDER: THE FAR SIDE OF THE WORLD
Finally, an adventure film for grownups. MASTER AND COMMANDER: THE FAR SIDE OF THE WORLD, based on the wildly popular Aubrey-Maturin series by Patrick O’ Brian, is brought to vivid life with a literate script, intelligent performances, and a respect for its audience. While the story takes place during the Napoleanic Wars, the focus is… Read More »
ELEPHANT
There was, inevitably, going to be a feature film take on the Columbine massacre and in Gus Van Sants ELEPHANT, we have one that does not exploit the tragedy with cheap attempts to tug on our heartstrings with cliché sentiment. Instead, he offers rich and disconcerting food for thought with a terrifying vision of teen… Read More »
DIE, MOMMIE, DIE!
DIE, MOMMIE, DIE! is a glorious, oddly loving evocation of those low-budget, high-concept films that populated drive-in screens in the late 50s and early 60s. As brought to glorious life by the brilliantly twisted mind of Charles Busch, the pretensions of that genre are reborn as a study in post-modern camp. Its a vicious tweak… Read More »
MATRIX REVOLUTIONS, THE
Why is it that when filmmakers get a whole truck full of money, they always think that they should use it to make things blow up in lots of interesting, cool ways? The thought crossed my mind again as I watched MATRIX REVOLUTIONS, the third and putatively final chapter in the MATRIX cycle. In this… Read More »
LOVE, ACTUALLY
LOVE, ACTUALLY takes upon itself the daunting task of presenting to us love in all its manifestations. Theres the fairy tale, the tragedy, the farce, the friendships and the betrayals all rolled up into a set of interwoven tales that charm but never pander, giving us the bitter with the sweet, the whimsy with the… Read More »
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