This is not the first time that someone has attempted to bring the video game upon which HITMAN: AGENT 47 is based to the big screen. The last one, HITMAN starring a pre-Justified Timothy Olyphant went down in flames, and this one joins its still-smoldering carcass. It’s not that making a film out of a video… Read More »
AMERICAN ULTRA
There is a bold sense of anarchy to AMERICAN ULTRA that is as unrepentant as it is unpredictable.
A Long Day’s Journey to FORT TILDEN
Elliot and McNulty take being vapid to new and fascinating levels.
Dreary DARK PLACES
DARK PLACES is awash with dark moodiness as it tells a raggedy story that suffers from a failure of to find a narrative structure as strong or as compelling as the performance of his star, Charlize Theron. Based on the novel by Gillian Flynn, on whose novel of the same name GONE GIRL was based,… Read More »
ZERO DARK THIRTY
ZERO DARK THIRTY starts, tellingly, with a dark screen and audio clips from 9/11. Air traffic control chatter, 911 calls, and the anguished, astonished voices of people who have no frame of reference for what is happening to and around them. In doing so, the film compels the viewer to relive that day not with… Read More »
THE STANFORD PRISON EXPERIMENT’s Heart of Darkness
In retrospect, the excesses of Abu Ghraib were all too accurately predicted by the now infamous behavioral experiment conducted in 1971 by Stanford professor, Dr. Philip Zimbardo (Billy Crudup). The dramatization as THE STANFORD PRISON EXPERIMENT wisely takes the clinical approach, employing the detachment of the scientific method in recreating the events that are as… Read More »
Amy Schumer is No TRAINWRECK
Turning gender roles neatly on their heads, Amy Schumer has created a screwball comedy of considerable substance. Taking sure aim at the abomination of the formula rom-com, she satirizes not just the genre, but the state of contemporary single-hood. Starring in a script of her own devising, she is fearless, relentless, and completely unapologetic as the titular hot mess, also named Amy, with commitment issues and a healthy libido.
The Last BOULEVARD
Robin Williams gives one of his finest performances in BOULEVARD, a film that allows him to explore the profound loneliness of a gentle man living a painful lie. Alas, it is a story far too fraught with convenient coincidences to be much more than a vehicle for Williams’ considerable depth and humanity. It is elevated,… Read More »
A Philosophical IRRATIONAL MAN
Some of Woody Allen’s best films deal with the problem of absolute ethics in a world that is full of moral ambiguity. CRIMES AND MISDEMEANORS beings the epitome of his musings on the subject, with lesser, but no less satisfying efforts such as MATCH POINT continuing the dialogue. In IRRATIONAL MAN, Allen has crafted another… Read More »
LILA & EVE Rewrites Revenge
As a portrait of perfect grief, LILA & EVE is unmatched. Blessed with a performance by Viola Davis as Lila, this is one of the best ever filmed. She is fierce, edgy, and heartbreaking as a single mother in a harrowing study of the limits of sanity in the face of unutterable tragedy. Unlike the… Read More »
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