WE ARE AS GODS, the telling of the remarkable life during interesting times of Stewart Brand, does not fall into the trap of hagiography. Mostly. It is hard not to fall under the spell of someone who, as one talking head puts it, has been at the right place at the right time so often… Read More »
INCREDIBLE BUT TRUE (INCROYABLE MAIS VRAI)
One of the many delightful things about Quentin Dupieux’s films is that they do not waste our time. They are a marvel of economy while at the same time seriously introducing a wealth of bemusing ideas in their tightly written, superbly absurd plots. And so it is with INCREDIBLE BUT TRUE (INCROYABLE MAI VRAI), a… Read More »
HE’S WATCHING
For the first 15 minutes or so of HE’S WATCHING, you might be forgiven if you think that this is just another semi-inspired entry into the found-footage sub-genre of horror. I’m not sure that isn’t exactly what filmmaker Jacob Estes intended. It certainly makes what follows all the more effective for it having lulled us… Read More »
THE ABANDON
One of the most intriguing sub-genres of sci-fi/horror cinema is that which is accomplished with few, if any, special effects. The best of these, such as COHERENCE or THEY LOOK LIKE PEOPLE, to name but two, are so thoughtfully conceived and intelligently crafted that the addition of gizmos, gadgets, or those ci-mentioned special effects would… Read More »
BAD LUCK BANGING OR LOONY PORN
BAD LUCK BANGING OR LOONEY PORN is neither for the intellectually timid nor the prudish. Radu Jude’s romp through cultural hypocrisy and the human penchant for being not just cruel, but also idiots, is designed to confront and confound with savage humor and brutal satire. Lest we have any illusions about the direct approach Jude… Read More »
CRYPTOZOO
CRYPTOZOO is a touching throwback to the animated films of the late 60s and early 70s in both style and in substance. Set in that time frame, it is full of idealism about the possibilities of human society and wonder at the natural world, while also tempered with poignant cynicism about both. Writer/director Dash Shaw… Read More »
MANDIBLES (Mandibules)
In MANDIBLES, Quentin Dupieux takes us on a road trip with two lovable innocents and an outsized housefly. Why there is an outsized housefly in the trunk of a dilapidated Mercedes just waiting to be discovered/rescued/exploited by this pair of misfits is never explained, nor does it need to be. This latest excursion by Dupieux… Read More »
TOO LATE (2021)
TOO LATE is a noir fable about the dark side of show biz. Deadpan and droll in its exploration of monsters and their enablers, it doesn’t so much expose anything new about what people are willing to do in order to succeed as present it with a puckish flair and a wicked sense of irony.… Read More »
RISE AGAIN: TULSA AND THE RED SUMMER
Anticipating the centennial of the Tulsa race riots and massacre in 1921, Dawn Porter wanted to do more that remember that criminally ignored chapter in American history. The resulting documentary, RISE AGAIN: TULSA AND THE RED SUMMER, recounts a part of our history that had, similarly, been ignored by all but the survivors, and their… Read More »
THE EDGE OF THE WORLD
Based on the remarkable life of James Brooke, EDGE OF THE WORLD is an introspective film about how an Englishman became the Raja of Sulawak. Such was his fame in Victorian England that Joseph Conrad used him as the model for the title character in his novel, Lord Jim, and rich women proposed marriage to… Read More »
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