GOAT is not a subtle film, though the performances by its young cast are wonderfully nuanced. Based on the eponymous memoir by Ben Land, it opens with a mob of naked frat boys caught up in slow-motion frenzy of testosterone-driven, gleeful aggression. We do not see what it is that they are kicking, but we… Read More »
SAUSAGE PARTY
It’s just as well that Seth Rogan’s animated comedy, SAUSAGE FEST, is R-rated. That would be because the most awkward question a parent might have to answer after his or her child has seen this metaphysically dense romp wouldn’t be about the specific mechanics involved in the bonding between Brenda (Kristen Wiig), a bosomy hot… Read More »
MAGIC MIKE XXL: Flash and Dazzle
Steven Soderbergh is an executive producer of MAGIC MIKE XXL, but that is the only trace of that director to be found in this sequel that is more about joy than angst. Channing Tatum, returning as the eponymous male stripper, has taken the fun and dazzle from the original and eschewed most of the cerebral… Read More »
RIGHTEOUS KILL
The best performance in RIGHTEOUS KILL is not given by either of its storied leads, Robert De Niro and Al Pacino. It’s not given by the solid supporting cast of Donnie Wahlberg, John Leguizamo, Carla Gugino, and Brian Dennehey, who all add a raffish interest while still seeming to pull their punches in an attempt… Read More »
KICK ASS
Forget subtexts about the influence of media violence on young and impressionable minds. Forget the other subtext about effect of family dynamics in forming the characters of those equally young and impressionable minds. Though both are present in KICK ASS, based on the comic book by Mark Millar and John Romita, Jr., and employed as… Read More »
LOVE AND OTHER DRUGS
Life is frustrating, exhilarating, confusing, astounding and unpredictable. So is LOVE AND OTHER DRUGS, a film with high aspirations and a slightly muddled follow-through. Based on Jamie Reidy’s book “Hard Sell: The Evolution of A Viagra Saleman” and set against the world of medicine as a business, it makes a piquant juxtaposition of Viagra and true… Read More »
THE SITTER
There is in Jonah Hill a palpable undertone of menace. When playing his usual lovable schlub, or especially when playing a character such as the titular CYRUS, who may or may not actually be unhinged, there is always the distinct potential lurking in the piercing gaze when his character stops talking, that the next move… Read More »
PROJECT X
A man and his son have a significant moment as a crane lifts the formers Mercedes from the family swimming pool. How the car got there, and the impact of how it got there on the relationship that father and son will have with each other and with the world at large from that moment… Read More »
21 JUMP STREET
There is a palpable love for the original television series in 21 JUMP STREET. A love that encompasses both the premise and that premises lack of credibility. As in, a group of police officers going undercover in various high schools in to infiltrate the illegal doings there, and bring the perps to justice. It was… Read More »
EMPIRE
EMPIRE is a nitty, gritty look at life on the mean streets of the wrong part of New York. Its message, crime doesn’t pay, isn’t a new one, but any film that proffers a moral compass is one worth paying attention to. Also worth paying attention to is co-producer John Leguizamo’s performance as Victor Rosa,… Read More »