Having taken on Christmas and NASCAR, Will Ferrell takes the next logical step with a typically loopy take on the seamy underbelly of competitive figure skating. The only obstacle he had in his way was making a farce that would be the equal of the doings in the real world of competitive skating. Tonya Harding,… Read More »
DRILLBIT TAYLOR
DRILLBIT TAYLOR is a labored and disjointed effort with identity issues. Part psycho thriller (not ineffective), part examination of the plight of the homeless vet (lunging out of left field), part screwball comedy (stereotypically obvious), and all punctuated with punch lines that can most charitably described as hit and miss. Emphasis on the latter. The… Read More »
THE OTHER GUYS
A rambling script that never quite takes the aim it meant to at the rarified world of high finance proves little impediment to THE OTHER GUYS, an uneven comedy redeemed by the inspired casting of Will Ferrell and Mark Wahlberg as cops with nothing in common paired up on a career-making case. Forget the brief,… Read More »
LOOPER
The sign of a great film is not just the story it tells. Its the way that story is told, with an attention to the tiniest detail that makes each second of screen time, the tiniest bit of action part of a whole that is holographic. Each element is a reflection of that whole that… Read More »
THE WAY WAY BACK
THE WAY WAY BACK is a sensitive, intelligent coming-of-age tale that is never trite, maudlin, or melodramatic. Instead, it harbors a strong sense of reality when it comes to adults acting like children and vice versa. It brings you up short with its very first shot. That would be of Steve Carells eyes in a… Read More »
BLADE II
It is a sad but inexorable fact of life that in order to get by in this world, it is necessary to have an income of some sort. There are groceries to buy, shelter to secure and clothes to be put on ones back. And so it is that I look at Guillermo del Toros association with… Read More »
LAND OF THE DEAD
Zombies are intrinsically disturbing yet compelling. Dead, yet walking, stupid, yet lethal, slow, yet relentless. Never mind being unsightly. They are as perfect a fodder for metaphor as the brains of the living are for the zombies themselves, a conceit that George A. Romero has a particular knack for locking onto, as evidenced by his… Read More »
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