PRIDE AND GLORY offers passionate performances in a story that is a series of letter-perfect clichés. The topic is police corruption grafted onto the innernecine struggles of the Tierneys, an Irish-American family of New York City cops with a thorny problem of malfeasance in their midst. The thorn is Jimmy Egan (Colin Farrell), the cop… Read More »
THE CHANGELING
THE CHANGELING, directed and produced by Clint Eastwood, is based on a true story so Kafka-esque that it staggers the imagination. In March of 1928, Christine Collins came home from work to discover her nine-year-old son, Walter, was missing. Her call to the Los Angeles police for help was rebuffed because the boy hadn’t been… Read More »
AUSTRALIA
Baz Luhrmann has a great deal to say about his native Australia, and he has very ambitiously attempted to say it all in one film. It’s a bold choice more admirable in the intention than in the execution. He has essentially grafted two separate films together, one an over-the-top homage to adventure films from the… Read More »
SEVEN POUNDS
SEVEN POUNDS is an ambitious film tripped up by its execution. Full of noble intent, and the brave choice to (mostly) eschew sticky sentimentality in favor of a more clinical approach to the issue of a man obsessed with death, alas, the result is a film that is for the first three-quarters of its running… Read More »
WHIP IT
What WHIP IT nails as well as anything ever committed to film is that heady, giddy moment in a girl’s life when she is sure that she has all the answers and that her parents are idiots. In other words, it’s that moment when the prospect of absolute freedom, unencumbered by responsibility, first makes its… Read More »
AMELIA
Of late, Hilary Swank gives only two kinds of performances, award-winning, and duds. AMELIA, a prestige effort from Mira Nair, alas, delivers the latter. To be fair, she and everyone else concerned are not working from a script, but rather from a scenario thrown together with broad strokes and characters conceived as cardboard cut-outs of… Read More »
CHRISTMAS CAROL, A
A great deal of money has been expended in order to bring the Robert Zemeckis 3D animated version of A CHRISTMAS CAROL to the screen. And yet, for all the showy set pieces that have Scrooge (Jim Carrey) hurtling through the stratosphere at breakneck speeds creating dizzying tableaux of impressively changing perspectives, every woman in… Read More »
THE MAN FROM ELYSIAN FIELD
The thing to remember while watching THE MAN FROM ELYSIAN FIELDS is that this is a parable. Its relationship to the real world is symbolic, hence a male escort service named after the classical Greek take on the afterlife, and a writer who thinks that there is a place for his literate prose in a… Read More »
IS ANYBODY THERE?
IS ANYBODY THERE? is the poignant title of a bittersweet film about life, death, and magic. Its also one of Michael Caines best performances, and thats saying a great deal. Hes The Amazing Clarence, a retired magician whose life hasnt turned out to be quite as amazing as his van insistantly proclaims. They, his life… Read More »
SINGLE MAN, A
Colin Firth delivers a towering performance in Tom Ford’s adaptation of Christopher Isherwood’s A SINGLE MAN. The novel’s interior monologue has been externalized as an haute-couture fashion shoot, familiar territory for the fashion designer turned filmmaker. Instead of a cheap gimmick or a cheesy idiom, though, it’s the perfect subjective palette on which to play… Read More »
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