GRAY MATTERS, alas, doesn’t. At least not when it comes to making a comedy about the heartbreak of love. It is, rather, a collection of fragments of ideas that fail to coalesce in any meaningful way. The result is dull, contrived, obvious, and at 96 minutes, seemingly endless. Heather Graham and Thomas Cavanagh play Sam… Read More »
COLOUR ME KUBRICK – A TRUE. . .ISH STORY
Click here to listen to the interview with John Malkovich about THE DANCER UPSTAIRS.If all the world’s a stage, few took to strutting their hour upon it with the same moxie as Alan Conway. He’s the subject of Brian Cook’s semi-documentary, all comedy, look at the man who impersonated Stanley Kubrick, badly, for an adoring… Read More »
BLADES OF GLORY
Having taken on Christmas and NASCAR, Will Ferrell takes the next logical step with a typically loopy take on the seamy underbelly of competitive figure skating. The only obstacle he had in his way was making a farce that would be the equal of the doings in the real world of competitive skating. Tonya Harding,… Read More »
HOT FUZZ
Co-writers Simon Pegg and Edgar Wright made an indelible impression with SHAUN OF THE DEAD, an unconventional look at what happens to human relationships when zombies run rampant through a London neighborhood. Wright directed, Pegg co-starred as Shaun, with Nick Frost as his pear-shaped and singularly unhelpful flatmate. All three of them are back in HOT… Read More »
OCEAN’S 13
OCEAN’S 13 is pure entertainment. As bright and shiny as perfectly restored vintage neon, it’s a throwback to an era when films could be fun without being stupid. When they could have a heart without being a cliché, and when guys who were just too cool for school ruled. There’s a caper, of course, intricately… Read More »
EVAN ALMIGHTY
With EVAN ALMIGHTY, the sorta, kinda, not exactly sequel to BRUCE ALMIGHTY, we learn that treacle is neither better nor worse than puerile. It’s a lateral move and they are both annoying. Jim Carrey, the Bruce of the previous film, opted out of the sequel, and so the powers-that-be turned to Steve Carell’s character, the boorish… Read More »
KNOCKED UP
An ad campaign is supposed to attract a target audience to a film. Let me amend that. It’s supposed to attract the >right< target audience to a film. In the case of Judd Apatow’s KNOCKED UP, a huge mistake as been made. To judge by the commercials and such, this is a raunchy comedy with… Read More »
LICENSE TO WED
Like so many young lovers embarking on the adventure that is marriage, LICENSE TO WED begins well, full of hope and the promise that this will be a trip to the moon on gossamer wings fraught with fun. Alas, as with 50% of all marriages in this country, this film breaks down irretrievably, leaving all… Read More »
RATATOUILLE
The story of Pixar’s latest animated triumph, RATATOUILLE, is as audacious as its hero. Not only is it as light and airy as a soufflé, it’s also as complex as the precise physics and flavorings that makes it a miracle. The hero is an unlikely choice in animal hero, a rat, albeit one drawn with… Read More »
I NOW PRONOUNCE YOU CHUCK AND LARRY
I NOW PRONOUNCE YOU CHUCK AND LARRY is another self-indulgent, unfunny wallow in what Adam Sandler thinks is funny. From the first fart joke (10 minutes in) to the second fart joke (11 minutes in), to the self-congratulatory deus ex machina ending that is supposed to redeem the previous excruciating two hours, it is a… Read More »
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