The important thing to know about IRON MAN 3 is that after an iffy start, it zooms into the stratosphere as easily and as dynamically as Tony Stark himself does in the latest incarnations of his Iron Man suit. The past, however, haunts the present, with the trauma of wormholes and aliens vying with demons… Read More »
ICEMAN, THE
That THE ICEMAN is a film eminently worth seeing is a tribute to Michael Shannon. The true story of Richard Kuklinski, aka The Iceman, is a conventionally told tale of organized crime, but Shannon, as the cold-blooded hitman with a schizophrenic tenderness for his family is riveting. Through the film is a lesser light, as… Read More »
FILL THE VOID (Lemale et ha’halal)
Nora Burshsteins FILL THE VOID has already been compared to a Jane Austen novel, and the observation, while counter-intuitive at first glance, is highly astute. While Austens world of Regency England may not seem to have much in common with a community of modern Hassids in Israel, the delicate but strict play of custom and… Read More »
WHITE HOUSE DOWN
WHITE HOUSE DOWN is not a film of firsts. Its not the first film this year to depict an armed takeover of the eponymous building. And its not the first time that Roland Emmerich has destroyed it. He has, however, made it more fun than the other film, and only slightly more plausible than when… Read More »
THE LONE RANGER
There may be a way to mix the monumental tragedy of the Native American genocide with a screwball comedy about a well-meaning chucklehead and his mystically addled Comanche sidekick, but Gore Verbinski has not found it in his pretentious and smug version of THE LONE RANGER. True to the Verbinski style, this re-telling of the… Read More »
RED 2
RED was a delightful romp wherein seasoned and deadly retired secret agents of several stripes taught a callow world the advantages of age and experience. In RED 2, the world has learned its lesson, and so, while the characters are still delightful, they really have nowhere to go that isnt a re-hash of every spy… Read More »
R.I.P.D
Its not enough that R.I.P.D. is bad, its also derivatively bad while also being mind-numbingly boring. Whatever wit or smarts or silliness the Dark Horse graphic novel of the same name by Peter Lenkov possesses, it is not found in this screen adaptation that is neither fun nor funny. In a messy pastiche of GHOSTBUSTERS,… Read More »
WOLVERINE, THE
WOLVERINE is a murky and muddled thing saved, such as it is, by Hugh Jackmans steadfast commitment to a story that leaps about with the same agility as his eponymous character as it attempts to explore the psychological underpinnings of The Wolverines struggle with immortality, and his mercy killing of the love of his life,… Read More »
PARANOIA
PARANOIA is a flabby congealed thing that is in no way helped by lackluster direction and a derivative script. The hook is industrial espionage in the high-stakes, and even higher-egos, of hi-tech. Based on the novel of the same name by Joseph Finder, it is a morality tale with no sting, and a thriller with… Read More »
THE WORLD’S END
The Cornetto Trilogy comes to a superb conclusion with THE WORLDS END. Director Edgar Wright again teams with the regular cast of co-writer Simon Pegg as the anti-hero, and Nick Frost as the humorless corporate lawyer, along with newcomers Eddie Marsan as the grinning bunny rabbit of a car salesman, Paddy Considine as the enterperneur… Read More »
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