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CAFÉ SOCIETY

July 23, 2016 By Leave a Comment

CAFÉ SOCIETY

There is a theological bent to Woody Allen’s CAFÉ SOCIETY. It’s there in the constant bickering between the hero’s parents about whether or not a relative has a Jewish-shaped head. And, furthermore, if he doesn’t, how can he be a proper Jew? Such questions are a Midrash on the actual story, which concerns a young… Read More »

Tagged With: 1930s, Family, film business, gangsters, Hollywood, night clubs, romance

A Philosophical IRRATIONAL MAN

July 19, 2015 By 1 Comment

A Philosophical IRRATIONAL MAN

Some of Woody Allen’s best films deal with the problem of absolute ethics in a world that is full of moral ambiguity. CRIMES AND MISDEMEANORS beings the epitome of his musings on the subject, with lesser, but no less satisfying efforts such as MATCH POINT continuing the dialogue. In IRRATIONAL MAN, Allen has crafted another… Read More »

Tagged With: Emma Stone, ethics, Geraldine Page, Hal Hartley, IRRATIONAL MAN, Joaquin Phoenix, narrative, Nietzsche, Parker Posey, philosophy, randomness, synchronicity, Woody Allen

YOU WILL MEET A TALL DARK STRANGER

October 21, 2014 By Leave a Comment

Woody Allen revisits questions of ethics and morals as lived in the real world in YOU WILL MEET A TALL DARK STRANGER. His characters bounce and bobble their way through a world without answers, in which they attempt to seize happiness from the jaws of despair with varying degrees of success. The central question is… Read More »

MIDNIGHT IN PARIS

October 21, 2014 By Leave a Comment

The only real misstep in Woody Allen’s MIDNIGHT IN PARIS is, unfortunately, in the opening montage that shows the City of Lights progressing from morning to evening. While there is no denying that this is a city of seemingly limitless picturesque vistas that range from the familiar to the novel, Allen is entranced by too… Read More »

MATCH POINT

October 21, 2014 By Leave a Comment

MATCH POINT

Chris (Johnathan Rhys-Meyers), the focus of Woody Allen’s MATCH POINT is an existential man in the proper Sartrian mold making his way in a world, he will learn, that is ruled by the short of absurdist chaos favored by Jean-Paul’s arch-rival, Camus. So much for free will, bad faith, and making one’s own luck. Forget… Read More »

Tagged With: country house, ethics, London, murder, tennis

CASSANDRA’S DREAM

October 21, 2014 By Leave a Comment

The funny thing, in the sense of odd rather than comedic, about CASSANDRA’S DREAM is that even though it is filmed in color, it is remembered in black and white. In Woody Allen’s lastest film, he returns to his consideration of morality, this time through the lens of classical Greek tragedy. Two brothers, Ian (Ewan… Read More »

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