With Steven Spielberg, sometimes, most of the time, you get E.T: THE EXTRATERRESTRIAL. Sometimes, though, you get 1941. It’s not that READY PLAYER ONE rivals the sheer ineptitude of the latter, but it is definitely skirting the shoals. With Spielberg, one has come to expect much, and so when presented with a flick that is… Read More »
BRIDGE OF SPIES
Clad, metaphorically, in a shining armor of truth, and wielding an equally luminous sword of righteousness, Tom Hanks as attorney James Donovan is the embodiment of American virtue, right down to the meat loaf he has for dinner, the which is not touched until he has said grace with his wife and three kids. There was, no… Read More »
THE ADVENTURES OF TINTIN
What SNOW WHITE was to the advancement of hand-drawn animation into a genuine art form, so is THE ADVENTURES OF TINTIN to animation derived from motion capture and generated from a computer. Visually, it is a thing of singular and striking beauty. Story-wise, it is just as sublime, presenting a thumping good tale of action… Read More »
CATCH ME IF YOU CAN
You can see how Steven Spielberg and company would have salivated at the prospect of bringing this story to the screen. Inspired by actual events in the life of Frank Abignale, Jr., its got a 16-year-old runaway conning his way around the world with forged checks and eluding the FBI for three years back in… Read More »
TERMINAL, THE
THE TERMINAL is another cloying schmaltz-fest from Tom Hanks aided and abetted by Steven Spielberg. The premise is based on the true story of a man without a country stuck at a Paris airport for years on end living by his wits and the kindness of strangers. So much to work with, including the kind… Read More »
WAR OF THE WORLDS
There is a litany of inevitables in Steven Spielberg’s version of WAR OF THE WORLDS. There’s humanity turning on itself in a desperate scramble for survival. There are the vistas of CGI presenting hordes of extra-terrestrial killing machines cutting a swath across cities, suburbs and points rural. There are the seething tensions between an emotionally… Read More »
MUNICH
In MUNICH, Steven Spielberg has created an intensely profound, if somewhat flawed, work. Moral debates about right and wrong abound with as many variations as there are characters to expound them, and there are many of both. The message, though, is unequivocal. Killing is an awful business that kills more than the victim, it also… Read More »
MUNICH — DVD
There is no commentary track on the DVD release of MUNICH. There is, instead, an introduction by Steven Spielberg, which is more a making-of piece than a talking head, though there is that, too. He talks about Vengance by George Jonas, the book on which he based his film, the only credible account of what… Read More »