MOONFALL is everything that a Roland Emmerich film should be. There are dazzling special effects. There are several plot threads happening simultaneously that occasionally show a puckish confluence. There are parent-child issues. And there is a huuuuuuuuuge story. This time, it’s the curious case of the moon shifting its orbit in a way that defies… Read More »
INDEPENDENCE DAY: RESURGENCE
INDEPENDENCE DAY: RESURGENCE was released here in San Francisco without a press screening. And for good reason. I’m putting The Golden Raspberry Awards Foundation on notice that we might have a new frontrunner for next year’s Razzies. We begin on the eponymous holiday. Twenty years have passed since Steve Hiller (Will Smith, appearing in this… Read More »
STONEWALL
STONEWALL is a sudsy, underwritten, overwrought effort that is less than the intended tribute to the unsung heroes of the eponymous riots that accelerated the gay liberation movement into the social mainstream. Instead, it is a melodrama of truly epic proportions told with every cliché of gay life as lived in less enlightened times, and with… Read More »
2012
With 2012 you got your big special effects, you got your overwrought melodrama, you got your colorful supporting characters, a passel of kids of varying cuteness, outrageous puns, and a plucky dog. What you got here is blockbuster of a popcorn flick that delivers on ending the world as we know it and takes a… Read More »
WHITE HOUSE DOWN
WHITE HOUSE DOWN is not a film of firsts. Its not the first film this year to depict an armed takeover of the eponymous building. And its not the first time that Roland Emmerich has destroyed it. He has, however, made it more fun than the other film, and only slightly more plausible than when… Read More »
THE DAY AFTER TOMORROW
THE DAY AFTER TOMORROW understands that its premise, a cataclysmic climate change that happens in less than a week, is hard for even the most sympathetic audience to swallow. It thoughtfully has its characters mentioning that its all very odd and to be suitably surprised by it all. Given that expositional permission, the audience is… Read More »
10,000 B.C.
10,000 B.C. is a suitably old-fashioned action story, which is emminently suitable to the sort of old-fashioned fantasy/adventure tale it tells, one that is set in the remote past, when Stonehenge was more or less new, and before even the pyramids were built. Depending upon, of course, which version of the past to which you… Read More »
ANONYMOUS
ANONYMOUS has a great many things going for it. A rich and suitably literate script by John Orloff. A director, Roland Emmerich, with a flair for the dramatic that meshes well with the intrigues of Elizabethan England. A special effects budget that allows the screen to be filled with vast panoramas of 16th-century London, as… Read More »