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COPSHOP

September 19, 2021 By Leave a Comment

COPSHOP

Click here for the flashback interview with Joe Carnahan and Frank Grillo for THE GREY. There has rarely been such an effusive, even whimsical, satire on violence as that which is found in Joe Carnahan’s COPSHOP. This blackest of black comedies adroitly combines tension and goofiness with an insouciance that is nothing short of breathtaking.… Read More »

Tagged With: Arizona, besieges police station, bullet-ridden car, corruption, desert, hitman, tracheotomy

THE A-TEAM

October 21, 2014 By Leave a Comment

The biggest mistake in making a testosterone-fueled action fantasy is to have it take itself too seriously. THE A-TEAM doesn’t fall into that trap. Instead, it takes everything that was fun about the series on which it was based and amps it up into stratospherically ridiculous heights. And it does so with an irresistible insouciance… Read More »

NARC

October 21, 2014 By Leave a Comment

NARC

NARC begins intensely with a narc’s-eye view of a bust gone bad. Everything happens too quickly and there is no time to focus on any one event, from the killing of a bystander to the killing of the perp as he attempts to take a toddler hostage, to the shooting of the toddler’s pregnant mother.… Read More »

Tagged With: action, cops, drugs, gangs, Jason Patric, Joe Carnahan, undercover

SMOKIN’ ACES

October 21, 2014 By Leave a Comment

SMOKIN’ ACES

Somewhere in Joe Carnahan’s SMOKIN’ ACES there is a really good film trying desperately to get out. Several actually. And therein lays the problem. Dashing blithely as he does through several different genres Carnahan shows moxie and a genuine flair for each one: black comedy, gut-wrenching drama, farcical silliness, and a deeply affecting morality tale. It’s… Read More »

Tagged With: contract killer, FBI, feds, hit men, hit women, Jeremy Piven, Joe Carnahan, Las Vegas, mob, SMOKIN' ACES

THE GREY

October 21, 2014 By Leave a Comment

The best moment, the one that perfectly sums up THE GREY, is the one where a character has decided to die. Not because pain and fatigue suffered by that character have muddled his judgment and clouded his mind, though the actor involved certainly brings that, no, the decision to die is more transcendent than that,… Read More »

GREY, THE

October 21, 2014 By Leave a Comment

The best moment, the one that perfectly sums up THE GREY, is the one where a character has decided to die. Not because pain and fatigue suffered by that character have muddled his judgment and clouded his mind, though the actor involved certainly brings that, no, the decision to die is more transcendent than that,… Read More »

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