There is little of the old Guy Ritchie to be found in OPERATION FORTUNE: RUSE DE GUERRE. That Guy Ritchie delivered crackling editing, provocative visual impunity, and dialogue that burned with self-reflexive irony. They were films that all but defied gravity as they rushed headlong through their paces leaving audiences breathless and invigorated. I miss… Read More »
WRATH OF MAN
In WRATH OF MAN, we find Jason Statham and Guy Ritchie re-united in a film about the imperative of family values and the dangers of boredom. The result is a bloody wonderland of moral relativity and of an honor system that has nothing to do with Testaments Old or New. While is doesn’t give Mr.… Read More »
ALADDIN
The live-action version of ALADDIN does many things, including blurring the line between animation and live-action, not unlike the once and future AVATAR. It is more animation than live action and perhaps at some point there should be specific designation for cinematic efforts of this kind. But I digress. Most of what makes the film… Read More »
KING ARTHUR: LEGEND OF THE SWORD
It’s as though Guy Ritchie binge-watched Game of Thrones and then thought to himself, “Hey, I can do that!” and made KING ARTHUR: LEGEND OF THE SWORD. To which I reply, “No, Guy. No you can’t.” What we have here is a chaotic script that attempts several, mutually exclusive tones and genres, with poor Charlie… Read More »
THE MAN FROM U.N.C.L.E.
Having quaffed a drink laced with something that will shortly knock him cold, Napoleon Solo (Henry Cavill) does the sensible thing. He gathers some throw-pillows and carefully places first them, and then himself, upon the nearest sofa. Once, he explains to the person responsible for slipping him the mickey, he hit his head during the… Read More »
SWEPT AWAY
When Lina Wertmuller, the elfin feminist gadfly of Italian cinema, made SWEPT AWAY back in 1974, it was a tantalizing and brutal take on the war between the sexes, between the classes and on the whole human comedy. When Guy Ritchie re-wrote the script for his wife, Madonna, I’m sure he thought it was a… Read More »
SHERLOCK HOLMES
Guy Ritchies approach to the SHERLOCK HOLMES is predictably, but delightfully, bombastic. Which is not to say that this lushly produced, stylishly realized film is not perfectly entertaining. A clever script that is not quite as sharp as it should be is redeemed by a pair of superb performances by Robert Downey, Jr, as the… Read More »
SHERLOCK HOLMES — A GAME OF SHADOWS
Theres a nefarious plot to force the collapse of western civilization in SHERLOCK HOLMES: A GAME OF SHADOWS, and as befits an eponymous character, Sherlock Holmes (Robert Downey, Jr.) is the only person who can save the day. Not just because he is scathingly brilliant, as is his arch-nemesis Professor Moriarity (Jared Harris). No, as… Read More »
REVOLVER
Caution! Guy Ritchie has entered his Bergman phase. Ingmar Bergman. Having stylishly plumbed the depths of the action genre with his dazzling visual style and staccato pacing as crisp as the wrong end of a machine gun, he has decided to attempt something more. And for this he should be lauded. Alas, with REVOLVER he… Read More »