Mel Gibson is many things, but subtle is not one of them. APOCALYPTO, his latest work as a filmmaker, is an example of why this is and isn’t a good thing. Taking on the pre-conquest New World, he is at once vibrant and excessive as he plows along using as his motto that too much… Read More »
THE HOLIDAY
Jude Law is glib. Cameron Diaz is perky. Kate Winslet is tragic in a perfect serio-comic way. They’re all gorgeous. And Jack Black, well, it’s hard to say what exactly he is doing in THE HOLIDAY as the object of Winslet’s eventual attraction. Writer/director Nancy Meyers certainly can’t be accused of typecasting by injecting Black,… Read More »
DREAMGIRLS
If Jennifer Hudson never makes another movie, if she never sings another song, if she drops off the radar tomorrow, her place in cinematic history will nonetheless be cemented forever by her acting debut in DREAMGIRLS. It’s as though fate has conspired to keep the Broadway hit loosely based on the rise of Diana Ross… Read More »
LETTERS FROM IWO JIMA
The key moment in Clint Eastwood’s LETTERS FROM IWO JIMA is when General Kuribayashi, the commander of the doomed Japanese forces defending the eponymous island from Amercan invasion, stops the summary execution of two soldiers by their immediate commanding officer for having committed the crime of not dying at their post. Kuribayashi, played by Ken Watanabe, tells… Read More »
NIGHT AT THE MUSEUM
It’s not that NIGHT AT THE MUSEUM is a bad film, it’s just that it’s not a particularly inspired one either. Fine special effects, an interesting plot line, and competent direction, those are all there and greatly appreciated. Still, the very best thing about this fantasy aimed squarely at kids is that it reminds us… Read More »
CHARLOTTE’S WEB
A spider that sucks the blood out of her victims is a tough sell as the sympathetic heroine of any story, much less one directed at kids. Yet, using the perfect blend of warmth and bite, and not a little humor, CHARLOTTE’S WEB has been doing that for over 40 years. A film version, such… Read More »
SMOKIN’ ACES
Somewhere in Joe Carnahan’s SMOKIN’ ACES there is a really good film trying desperately to get out. Several actually. And therein lays the problem. Dashing blithely as he does through several different genres Carnahan shows moxie and a genuine flair for each one: black comedy, gut-wrenching drama, farcical silliness, and a deeply affecting morality tale. It’s… Read More »
BECAUSE I SAID SO
To judge from the level of insight into the mother-daughter dynamic and/or the relative proficiency in turning out a decent script, the women who co-wrote BECAUSE I SAID SO might have been raised by iguanas. This sad spectacle degrades everyone participating in it, including the audience hornswaggled into thinking that it was going to get some… Read More »
THE MESSENGERS
There is much to be said for letting a horror film build slowly. The audience moves from the everyday world into one where the unknown lurks with intentions that seem anything but friendly. And so it is with THE MESSENGERS, the latest from the Pang Brothers, a duo that can make an empty room seem like the maw of hell using little… Read More »
CHINA BLUE
Micha Peled uses a tried-and-true device in his documentary, CHINA BLUE, contrasting those at the top of the food chain, in this case the Chinese new economy, with those at the top. Not only does he use this method with startling effectiveness, it may well have been the only way to bring home to audiences in… Read More »
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